我们相信艺术

Mutual Funds Pub Date : 2021-06-21 DOI:10.2139/ssrn.3871007
Yuexin Li, Xiaoyin Ma, L. Renneboog
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引用次数: 1

摘要

尽管信任是任何市场运作的基石,但在艺术品市场等不受监管、缺乏流动性和不透明的市场中,信任尤为重要。本研究考察了真实性(通过拍卖目录中的来源信息获取)在拍卖油画、水彩画和版画的出售概率中的作用;它们的价格形成;并返回。拍卖目录包括四个真实性维度:谱系(所有权“区块链”,后代信息;过往业主类型,如知名收藏家;和过去的销售记录),展览历史(如在著名博物馆或画廊),文献报道(如在目录,理由或权威出版社),和认证(如艺术家的实物证明,专家意见)。我们发现,以出处信息为代表的信任,将作品的成交概率提高了4%,导致成交价溢价高达54%,并将年化回报率提高了5%-16%。为了解决提供出处与过去价格/价格预期之间潜在的内生性问题,我们在差异中差异的环境下对拍卖行在真实性诉讼后的出处政策变化以及发现赝品和伪造品对伪造艺术家作品的污染效应进行了准自然实验。我们还测试了受过去价格影响较小的交易,例如收藏家去世后的房地产销售。在艺术家声誉、艺术风格、拍卖行声誉、艺术市场流动性和艺术家职业生涯时机方面,出处和价格之间的关系的研究结果是稳健的。这篇论文被财经的Tomasz Piskorski接受。基金资助:李月欣感谢国家自然科学基金[基金资助:72204257]和中国人民大学区域研究基金[基金资助:AS2022002]的支持。这项研究部分由蒂尔堡校友基金资助。补充材料:在线附录和数据可在https://doi.org/10.1287/mnsc.2022.4633上获得。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Art We Trust
Whereas trust is the cornerstone of any market’s functioning, it is of particular importance in markets that are unregulated, illiquid, and opaque, such as the art market. This study examines the role of authenticity, as captured by provenance information in auction catalogs, on the probability of auctioned oil paintings, watercolors, and prints being sold; their price formation; and returns. Auction catalogs include four authenticity dimensions: pedigree (ownership “blockchain,” descendance information; type of past owners, such as renowned collectors; and past sales records), exhibition history (e.g., in famous museums or galleries), literature coverage (e.g., in catalogues raisonnés or authoritative press), and certification (e.g., artist’s physical testimonial, expert opinions). We find that trust, proxied by provenance information, increases the probability of a work being sold by up to 4%, leads to hammer price premiums up to 54%, and increases annualized returns by 5%–16%. To address potential endogeneity problems between the provision of provenance and past prices/price expectations, we perform quasi-natural experiments in difference-in-differences settings on auction houses’ provenance policy changes following authenticity litigation and on a contamination effect of the discovery of fakes and forgeries on the oeuvre of forged artists. We also test transactions less affected by past prices, such as estate sales following the death of a collector. The findings on the relation between provenance and prices are robust to artist reputation, artistic style, auction house reputation, art market liquidity, and artist career timing. This paper was accepted by Tomasz Piskorski, finance. Funding: Yuexin Li gratefully acknowledges supports from the National Natural Science Foundation of China [Grant 72204257] and the Area Studies Fund of Renmin University of China [Grant AS2022002]. This study is partially funded by the Tilburg Alumni Fund. Supplemental Material: The online appendix and data are available at https://doi.org/10.1287/mnsc.2022.4633 .
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