审查制度和矛盾心理的棱镜:关于与

IF 0.5 2区艺术学 0 FILM, RADIO, TELEVISION

JCMS-Journal of Cinema and Media Studies Pub Date : 2022-09-01 DOI:10.1353/cj.2022.0066

Nicole Beth Wallenbrock

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引用次数: 0

摘要

埃德加·莫兰和让·鲁什于1961年出版的《夏季纪事》未能对备受争议的法阿战争(1954-1962)及其相关的酷刑、恐怖主义和征兵问题作出明确的陈述。这篇文章探讨了在《阿尔及利亚，1962年，阿尔及利亚》这部几乎不为人知的纪录片在战后两个月由一对活动家夫妇拍摄的《阿尔及利亚，阿尔及利亚，1962年，阿尔及利亚》中出现的矛盾心理的原因。我使用雅克·德里达(Jacques Derrida)的术语“差异”，认为这些电影相互重叠、相互矛盾、相互平行，以揭示法国左派与阿尔及利亚之间不断演变的关系。

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A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro

abstract:Chronique d'un été (Chronicle of a Summer, Edgar Morin and Jean Rouch, 1961) fails to make a clear statement concerning the controversial Franco-Algerian War (1954–1962) and its associated torture, terrorism, and draft. This article explores the reasons for Chronique d'un été's ambivalence before unearthing Algérie, année zéro (Algeria, year zero, 1962), a virtually unknown documentary filmed two months after the war by an activist couple featured in Chronique d'un été, Marceline Loridan and Jean-Pierre Sergent. Using Jacques Derrida's term différance, I argue that the films overlap, contradict, and parallel each other to reveal the French Left's evolving relationship with Algeria.

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来源期刊

JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

1.20

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0.00%

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审查制度和矛盾心理的棱镜:关于 与

摘要

审查制度和矛盾心理的棱镜:关于与