在南非林波波省的大塞库库恩区,音乐作为一种文化现象在治疗中使用的民族志研究

IF 0.1 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY
M. Lebaka
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引用次数: 1

摘要

本研究调查了非洲背景下音乐与治疗之间的关系,以及音乐、文化和身份之间的关系。由于传统的音乐制作方法使其成为巴佩迪社区制度生活的一部分,在巴佩迪人中,音乐本身被认为能够与活着的死者交流,经常诱导祖先的精神占有,“导致精神下降”。在本研究中,我们观察了大塞库库恩地区的传统治疗师如何通过音乐表达他们的情绪,以及他们如何在马洛波宗教仪式中使用音乐来调节他们的情绪。这项研究的主要目的是研究这些情绪与传统治疗师的心理健康和幸福之间的关系。本研究采用了一系列的数据收集和分析。本研究采用自然主义方法,数据收集的主要来源是口头访谈。数据是通过马洛坡人宗教仪式的录像、访谈和观察收集的。阐释了音乐、表达和动作之间的关系,以及音乐、文化和身份之间的关系。结果表明,在舞蹈本身,舞蹈的治疗能力,是由学员和他们的传统治疗师显示,例如,在malopo仪式,在达到恍惚状态后,他们得到精神上的治愈。村民们目睹了舞蹈,只是作为观众参与,也表示参加马洛坡仪式后感到很幸福。这项研究表明,音乐是巴贝迪文化和遗产的一个组成部分。此外,人们发现,malopo仪式是一种安抚拥有祖先精神的表演,例如传统治疗师和他们的学员,如果不高兴,可能会导致疾病,但另一方面,可能会赋予传统治疗师执行治疗过程的能力。研究表明,malopo仪式将人们与他们的祖先(祖先领域)联系在一起,也提供了治疗方法。歌唱和背诵歌曲是为了在生者和死者之间创造和谐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ethnographic Research of the use of Music in Healing as a Cultural Phenomenon in Greater Sekhukhune District Municipality, Limpopo Province in South Africa
This study investigates the relationship between music and healing in the African context, as well as the relationship between music, culture, and identity. Since the traditional approach to music-making makes it a part of the institutional life of the Bapedi community, among the Bapedi people, the music itself was and is thought to enable communication with the living-dead, often inducing ancestral spirit possession, ‘causing the spirits to descend’. We observe in this study how traditional healers in the Greater Sekhukhune District Municipality express their emotions through music, and how they use music for regulating their emotions during malopo religious rituals. The main goal of the study was to examine how these emotions relate to traditional healers’ mental health and wellbeing. A range of data collection and analysis were employed in this study. The research employed a naturalistic approach and the primary source for data collection was oral interviews. The data was collected through video recordings of malopo religious rituals, interviews, and observations. Relationships between music, expression, and movement, as well as music, culture, and identity were elucidated. The results have demonstrated that during the dance itself, the healing power of the dance, is shown by both the trainees and their traditional healers, for example, during malopo ritual, after reaching a state of trance, they become spiritually healed. Villagers who witnessed the dance and participated only as an audience, also indicated a feeling of wellbeing after participating in the malopo ritual. The study has revealed that music is an integral part of the Bapedi culture and heritage. Furthermore, it was found that malopo ritual is a performance for appeasing possessing ancestral spirits such as those of the traditional healers and their trainees, which may cause illness if displeased, but on the other hand, may empower the traditional healers to execute the healing process. The research suggests that malopo ritual binds the people to their ancestors (the ancestral realm) and also provides healing therapy. Songs are sung and recited in order to create harmony between the living and the living-dead.
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来源期刊
Dialogo
Dialogo SOCIAL SCIENCES, INTERDISCIPLINARY-
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