露丝·贝克曼:当代纪录片导演

IF 0.1 0 FILM, RADIO, TELEVISION

Jewish Film & New Media-An International Journal Pub Date : 2020-09-01 DOI:10.13110/jewifilmnewmedi.8.2.0226

Débora G. Kantor, Ruth Beckermann

{"title":"露丝·贝克曼:当代纪录片导演","authors":"Débora G. Kantor, Ruth Beckermann","doi":"10.13110/jewifilmnewmedi.8.2.0226","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Viennese filmmaker Ruth Beckermann is one of Austria's crucial essayists and documentarians. This interview is focused on the personal and political dimensions of the Jewish experience in her body of work since the 1980s, when she started a cinematic inquiry for identity and the subjects of antisemitism and the Holocaust. Her films, from 1983 onward, and particularly The Paper Bridge (1987), Towards Jerusalem (1991), East of War (1996), and Homemad(e) (2000), are a testimony to the core concerns of her generation—the second generation of Holocaust survivors. The interview also explores the themes and subjects of more recent films, like Zorro's Bar Mitzvah (2006), American Passages (2011), and The Waldheim Waltz (2018) and gets into different aspects of her perspective on filmmaking.","PeriodicalId":40351,"journal":{"name":"Jewish Film & New Media-An International Journal","volume":"150 1","pages":"226 - 238"},"PeriodicalIF":0.1000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ruth Beckermann: Documentarian of the Present\",\"authors\":\"Débora G. Kantor, Ruth Beckermann\",\"doi\":\"10.13110/jewifilmnewmedi.8.2.0226\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Viennese filmmaker Ruth Beckermann is one of Austria's crucial essayists and documentarians. This interview is focused on the personal and political dimensions of the Jewish experience in her body of work since the 1980s, when she started a cinematic inquiry for identity and the subjects of antisemitism and the Holocaust. Her films, from 1983 onward, and particularly The Paper Bridge (1987), Towards Jerusalem (1991), East of War (1996), and Homemad(e) (2000), are a testimony to the core concerns of her generation—the second generation of Holocaust survivors. The interview also explores the themes and subjects of more recent films, like Zorro's Bar Mitzvah (2006), American Passages (2011), and The Waldheim Waltz (2018) and gets into different aspects of her perspective on filmmaking.\",\"PeriodicalId\":40351,\"journal\":{\"name\":\"Jewish Film & New Media-An International Journal\",\"volume\":\"150 1\",\"pages\":\"226 - 238\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Film & New Media-An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/jewifilmnewmedi.8.2.0226\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Film & New Media-An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/jewifilmnewmedi.8.2.0226","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

摘要:维也纳电影人露丝·贝克曼是奥地利重要的散文家和纪录片导演之一。这次采访的重点是自20世纪80年代以来，她的作品中犹太人经历的个人和政治层面，当时她开始了对身份、反犹主义和大屠杀主题的电影探索。1983年以来，她的电影，尤其是《纸桥》(1987)、《走向耶路撒冷》(1991)、《战争之东》(1996)和《家园》(2000)，见证了她这一代人——第二代大屠杀幸存者——的核心关切。采访还探讨了最近电影的主题和主题，如佐罗的成人礼(2006)，美国通道(2011)和瓦尔德海姆华尔兹(2018)，并从不同方面探讨了她对电影制作的看法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Ruth Beckermann: Documentarian of the Present

ABSTRACT:Viennese filmmaker Ruth Beckermann is one of Austria's crucial essayists and documentarians. This interview is focused on the personal and political dimensions of the Jewish experience in her body of work since the 1980s, when she started a cinematic inquiry for identity and the subjects of antisemitism and the Holocaust. Her films, from 1983 onward, and particularly The Paper Bridge (1987), Towards Jerusalem (1991), East of War (1996), and Homemad(e) (2000), are a testimony to the core concerns of her generation—the second generation of Holocaust survivors. The interview also explores the themes and subjects of more recent films, like Zorro's Bar Mitzvah (2006), American Passages (2011), and The Waldheim Waltz (2018) and gets into different aspects of her perspective on filmmaking.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Jewish Film & New Media-An International Journal FILM, RADIO, TELEVISION-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.