寄希望于后现代主义:为盲人和残障人士拯救斯坦利·蒂格曼的伊利诺伊州地区图书馆(1978)

IF 0.1 4区 艺术学 Q3 Arts and Humanities
David Serlin
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引用次数: 1

摘要

摘要:2012年,由美国建筑师Stanley Tigerman(1930-2019)于20世纪70年代设计的芝加哥伊利诺伊州盲人和残疾人地区图书馆被改造成一家地区银行的旗舰办公室。在其全盛时期,Tigerman的图书馆被广泛认为是移情设计的创新范例,它涉及到它的预定顾客的感官和行动障碍。然而,在将图书馆改造成银行的过程中,当代建筑师试图利用图书馆作为20世纪70年代中期后现代主义的古怪标志。在这个过程中,他们抛弃了Tigerman原始设计的许多显著特征。这篇文章试图展示在转换中失去了什么,因为银行选择保留最表面上与后现代主义历史相关的东西,同时抹去图书馆对残疾人历史的材料承诺。通过恢复图书馆设计和执行背后的原始环境和指导原则,文章强调了在历史保护实践中考虑残疾的重要性,同时也将Tigerman图书馆恢复到20世纪后期城市建筑的历史评估中应有的位置。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Banking on Postmodernism: Saving Stanley Tigerman’s Illinois Regional Library for the Blind and Physically Handicapped (1978)
Abstract:In 2012, the Illinois Regional Library for the Blind and Physically Handicapped in Chicago, designed in the 1970s by US architect Stanley Tigerman (1930–2019), was converted into the flagship offices of a regional bank. During its heyday, Tigerman’s library was widely recognized as an innovative example of empathic design that engaged the sensory and mobility impairments of its intended patrons. In its conversion to a bank, however, contemporary architects sought to capitalize upon the library as an eccentric icon of mid-1970s postmodernism. In the process, they jettisoned many notable features of Tigerman’s original design. This essay endeavors to show what was lost in the conversion, since the bank chose to preserve that which is most superficially associated with histories of postmodernism while erasing the library’s material commitments to histories of disability. By recovering the original context and guiding principles behind the library’s design and execution, the essay asserts the importance of thinking about disability within practices of historic preservation while also restoring Tigerman’s library to its rightful place within historical assessments of late-twentieth-century urban architecture.
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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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