儿童文学中的神话:鲁帕帕·派伊《歌塔》的叙事研究

Q3 Arts and Humanities
R. T
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引用次数: 0

摘要

将一种文化的神话传递给年轻一代是一个非常微妙的过程。神话是事实和幻想的混合体,成年人的责任是以正确的方式向孩子们传达正确的思想。为孩子们复述神话需要一个多层次的过程:过滤神话使其适合儿童,以有吸引力的形式组织它,并为孩子们提供与之相关的内容。印度儿童作家鲁帕·派伊(Roopa Pai)出版了《Gita: for children》(2015年),重新讲述了《摩诃婆罗多》中的《博伽梵歌》(bhagad Gita)。《薄伽梵歌》是一本关于复杂哲学的书,很难向成年人解释清楚。因此,要创作出这样的作品,需要对原著和孩子们的心理有更深入的了解。本文的目的是分析派在《给孩子的歌》中所采用的叙事技巧,以便将一种文化的神话分解成年轻一代易于理解的形式。这项研究的方法将是对主要文本的叙述分析。研究发现,Pai在文本中构建了一个三层结构:a)对故事的背景洞察,在这里她描述了故事的背景,并添加了故事中看到的元素的额外信息;b)故事的叙述;c)用与孩子相关的例子解释故事的事实。第三个结构涉及到一个叫做应用神话的概念。它解释了神话如何适用于当代世界。我们还观察到,全书中有三个平行的对话:a)奎师那和阿尔诸那之间的对话;b)桑迦亚和德里塔拉斯特拉之间的对话;c)派和她的读者之间的对话。在第三类中,Pai使用了一种叫做“打破第四堵墙”的技巧。在这里,Pai从她的面纱中走出来,作为一个遥远的叙述者,直接与她的目标受众,孩子们交谈。虽然大多数作者认为为儿童写作比为成人写作更难,但这项研究将有助于理解Pai在文本中采用的不同叙事策略,以简化儿童复杂的生活哲学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mythology in Children s Literature: A Narrative Study on Roopa Pai s Gita
The function of conveying a culture’s myth to its younger generation is a very delicate process. Myth is a mixture of fact and fantasy and it is the duty of an adult reteller to convey the right ideas in a right manner to the children. Creating mythological retellings for children involves a multi-levelled process: filtering the myth to make it child-appropriate, structuring it in an attractive format and delivering a content relatable for the kids. Roopa Pai, an Indian writer for children, came out with a book titled Gita: For Children (2015), which retells the Bhagvad Gita of the Mahabharata. The Bhagvad Gita, being a book of complex philosophies, is difficult enough to be explained to adults. Hence, it takes a deeper understanding of the source text and also the psyche of children to come out with a work like that. The objective of this paper is to analyse the narrative technique that Pai has followed in Gita: For Children in order to break down a culture’s mythology into a digestible form for the younger generation. The methodology for the study would be a narrative analysis of the primary text. It was identified from the study that Pai constructs a three-layered structure in the text: a) a background insight into the story, where she describes the context and adds additional information on elements seen in the story b) the narration of the story c) explaining the facts of the story with examples relatable for the children. This third structure involves a concept called Applied Mythology. It explains how myth is applicable in the contemporary world. It is also observed that there are three parallel conversations throughout the text: a) the one between Krishna and Arjuna b) the one between Sanjaya and Dritarashtra and c) the one between Pai and her readers. In this third category, Pai uses the technique called ‘breaking the fourth wall’. Here, Pai comes out of her veil as a distant narrator and directly talks to her target audience, the children. While most authors claim it is more difficult to write for children than for adults, this study shall help understand the different narrative strategies that Pai employs in the text to simplify complex philosophies of life for children.
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来源期刊
Journal of Narrative and Language Studies
Journal of Narrative and Language Studies Arts and Humanities-Literature and Literary Theory
CiteScore
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