{"title":"约翰·韦伯斯特和海丝特·普尔特笔下不朽的女性忧郁","authors":"Emma Rayner","doi":"10.1353/sel.2020.0003","DOIUrl":null,"url":null,"abstract":"Abstract:In early modern England, female grief was considered a far more material state of affect than the counterpart brands of sadness claimed by male scholars. This article explores how seventeenth-century writers dilate the material dimensions of women’s grief by engaging a trope I call “sto(ne)icism.” Both John Webster’s Duchess of Malfi and Hester Pulter’s poetic speaker express their grief in the most concrete of ways: by literally turning to stone in a stubborn show of remembrance for their lost objects. In so doing, I argue, they make out of women’s material mourning a form of lasting melancholy.","PeriodicalId":45835,"journal":{"name":"STUDIES IN ENGLISH LITERATURE 1500-1900","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Monumental Female Melancholy in John Webster and Hester Pulter\",\"authors\":\"Emma Rayner\",\"doi\":\"10.1353/sel.2020.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In early modern England, female grief was considered a far more material state of affect than the counterpart brands of sadness claimed by male scholars. This article explores how seventeenth-century writers dilate the material dimensions of women’s grief by engaging a trope I call “sto(ne)icism.” Both John Webster’s Duchess of Malfi and Hester Pulter’s poetic speaker express their grief in the most concrete of ways: by literally turning to stone in a stubborn show of remembrance for their lost objects. In so doing, I argue, they make out of women’s material mourning a form of lasting melancholy.\",\"PeriodicalId\":45835,\"journal\":{\"name\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-03-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sel.2020.0003\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN ENGLISH LITERATURE 1500-1900","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sel.2020.0003","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Monumental Female Melancholy in John Webster and Hester Pulter
Abstract:In early modern England, female grief was considered a far more material state of affect than the counterpart brands of sadness claimed by male scholars. This article explores how seventeenth-century writers dilate the material dimensions of women’s grief by engaging a trope I call “sto(ne)icism.” Both John Webster’s Duchess of Malfi and Hester Pulter’s poetic speaker express their grief in the most concrete of ways: by literally turning to stone in a stubborn show of remembrance for their lost objects. In so doing, I argue, they make out of women’s material mourning a form of lasting melancholy.
期刊介绍:
SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.