柏拉图诺夫或破产

Q2 Arts and Humanities
Fraser Grace
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引用次数: 0

摘要

作者提出了一个高度个人化的案例,认为安德烈·普拉托诺夫是20世纪初俄罗斯作家“神圣三位一体”中的第三个人。契诃夫预见到巨大的社会动荡(但在看到它之前就去世了),高尔基策划了起义的开端,而柏拉图诺夫则探讨了革命的后果。高尔基的社会主义现实主义学说对柏拉图诺夫的生活和工作产生了恶劣的影响。本文探讨了将普拉托诺夫的小说搬上舞台所面临的挑战,并以2019年6月在普拉托诺夫的家乡沃罗涅日首演的新剧《波都丹河》为例进行了研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Platonov or bust
The author presents a highly personal case for considering Andrey Platonov as the third person of a ‘holy trinity’ of writers from early twentieth-century Russia. Where Chekhov foresaw huge social upheaval (but died before seeing it) and Gorky staged the beginnings of insurrection, Platonov explores the fallout of the Revolution. The malign impact of Gorky’s doctrine of Socialist Realism on Platonov’s life and work is tracked. The challenges of adapting Platonov’s fiction to the stage are examined, and a case study offered of the new play Bliss, based on ‘The River Potudan’, which premiered in Platonov’s hometown of Voronezh, in June 2019.
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来源期刊
Short Fiction in Theory and Practice
Short Fiction in Theory and Practice Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
13
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