新学徒:合作历史保护项目中的数字技术教学

IF 0.1 4区 艺术学 Q3 Arts and Humanities
Amy Van de Riet, Keith Van de Riet
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摘要

摘要:在历史保护研究和实践中,准确的现场文献是正确记录历史元素的首要任务,特别是在使用这些文献为建筑构件的复制提供信息的情况下。为记录目的而综合使用摄影测量法正变得越来越有用,因为它比其他手段提供更准确、成本效益高和设备少得多。因此,该项目通过复制(8)个装饰堪萨斯大学(KU)校园历史立面的奇形怪状雕像,开创了技术与保护教育、研究和实践的新颖结合。该团队包括一对建筑师和堪萨斯州劳伦斯的两个兄弟石雕师,以及来自不同背景的学生。来自堪萨斯大学建筑、雕塑和博物馆研究三个学科的学生参加了涉及该项目的课程,并参与了从文档到3D打印和最终石雕的协作工作流程。尽管建筑师和雕塑家之间的合作与建筑的历史建筑相似,但它涉及到保护建筑师和雕塑家教育的新技术,从而将下一代学徒过渡到可以帮助保护各种建筑元素的技术,在许多情况下涉及有机形式和复杂的跨学科工作流程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The New Apprentice: Teaching Digital Technologies in Collaborative Historic Preservation Projects
Abstract:In historic preservation research and practice, accurate documentation in the field is a priority for proper record of historic elements, particularly in the case of using this documentation to inform replication of building components. The integration of photogrammetry for purposes of documentation is becoming increasingly useful as it provides more accurate, cost-effective and considerably less equipment than other means. As such, this project pioneered a novel integration of technology with preservation education, research and practice through the replication of (eight) grotesque statues adorning an historic façade on the University of Kansas (KU) campus. The team included a pair of architects and two sibling stone carvers of Lawrence, Kansas, in addition to students from a variety of backgrounds. Students from three disciplines—KU Architecture, Sculpture, and Museum Studies programs—enrolled in coursework involving the project and participated in the collaborative workflow from documentation to 3D printing and final stone carving. Although the collaboration between architects and sculptors paralleled that in the historic construction of the building, it involved new technologies in the education of preservation architects and sculptors, thus transitioning the next generation of apprentices to technologies that may assist with preservation efforts for a wide variety of building elements, in many cases involving organic forms and complex interdisciplinary workflows.
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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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