论乔·乌什诗歌中的场所与归属诗学

Q3 Arts and Humanities
Matatu Pub Date : 2022-10-20 DOI:10.1163/18757421-05202006
Idom T. Inyabri
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引用次数: 0

摘要

乔·乌什的诗歌高度表现了诗人人格的地方意识。在这篇论文中,我对他的四部诗集中的一些诗进行了考察,这些诗表达了一种地方感和归属感:《大众立场和其他诗歌》(1992年)、《神社里的羔羊》(1995年)、《山歌》(2000年)和《蝗虫统治》(2004年)。利用后殖民生态批评的理论规定,我认为他的图像是一种创造性的策略,以表达他的归属感,突出边缘化的文化空间,并引起人们对在徒劳的后殖民政治,商业贪婪和贫困的阵痛中曾经田园诗般的环境的变幻性的关注。因此,在接近诗人的本土想象的同时,我得出结论,乌什对地方和归属感的美学牢牢地扎根于追求健康环境的环境主义伦理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Poetics of Place and Belonging in Joe Ushie’s Poetry
Joe Ushie’s poetry is highly expressive of a poet persona’s place consciousness. In this paper I interrogate selected poems that articulate a sense of place and belonging in his four collections of poems: Popular Stand and Other Poems (1992), Lambs at the Shrine (1995), Hill Songs (2000), and A Reign of Locust (2004). Utilising the theoretical provisions of postcolonial ecocriticism, I see his imagery as a creative strategy to express his belongingness, foreground a marginalised cultural space, and draw attention to the vagaries of a once idyllic environment in the throes of vain postcolonial politics, commercial greed, and poverty. Thus, while remaining close to the poet’s indigenous imagination, I conclude that Ushie’s aesthetics of place and belonging is anchored firmly in the environmentalist ethics of pursuit for a healthy environment.
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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0.00%
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9
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