{"title":"论乔·乌什诗歌中的场所与归属诗学","authors":"Idom T. Inyabri","doi":"10.1163/18757421-05202006","DOIUrl":null,"url":null,"abstract":"\n Joe Ushie’s poetry is highly expressive of a poet persona’s place consciousness. In this paper I interrogate selected poems that articulate a sense of place and belonging in his four collections of poems: Popular Stand and Other Poems (1992), Lambs at the Shrine (1995), Hill Songs (2000), and A Reign of Locust (2004). Utilising the theoretical provisions of postcolonial ecocriticism, I see his imagery as a creative strategy to express his belongingness, foreground a marginalised cultural space, and draw attention to the vagaries of a once idyllic environment in the throes of vain postcolonial politics, commercial greed, and poverty. Thus, while remaining close to the poet’s indigenous imagination, I conclude that Ushie’s aesthetics of place and belonging is anchored firmly in the environmentalist ethics of pursuit for a healthy environment.","PeriodicalId":35183,"journal":{"name":"Matatu","volume":"64 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Poetics of Place and Belonging in Joe Ushie’s Poetry\",\"authors\":\"Idom T. Inyabri\",\"doi\":\"10.1163/18757421-05202006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Joe Ushie’s poetry is highly expressive of a poet persona’s place consciousness. In this paper I interrogate selected poems that articulate a sense of place and belonging in his four collections of poems: Popular Stand and Other Poems (1992), Lambs at the Shrine (1995), Hill Songs (2000), and A Reign of Locust (2004). Utilising the theoretical provisions of postcolonial ecocriticism, I see his imagery as a creative strategy to express his belongingness, foreground a marginalised cultural space, and draw attention to the vagaries of a once idyllic environment in the throes of vain postcolonial politics, commercial greed, and poverty. Thus, while remaining close to the poet’s indigenous imagination, I conclude that Ushie’s aesthetics of place and belonging is anchored firmly in the environmentalist ethics of pursuit for a healthy environment.\",\"PeriodicalId\":35183,\"journal\":{\"name\":\"Matatu\",\"volume\":\"64 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Matatu\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18757421-05202006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Matatu","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18757421-05202006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Poetics of Place and Belonging in Joe Ushie’s Poetry
Joe Ushie’s poetry is highly expressive of a poet persona’s place consciousness. In this paper I interrogate selected poems that articulate a sense of place and belonging in his four collections of poems: Popular Stand and Other Poems (1992), Lambs at the Shrine (1995), Hill Songs (2000), and A Reign of Locust (2004). Utilising the theoretical provisions of postcolonial ecocriticism, I see his imagery as a creative strategy to express his belongingness, foreground a marginalised cultural space, and draw attention to the vagaries of a once idyllic environment in the throes of vain postcolonial politics, commercial greed, and poverty. Thus, while remaining close to the poet’s indigenous imagination, I conclude that Ushie’s aesthetics of place and belonging is anchored firmly in the environmentalist ethics of pursuit for a healthy environment.