{"title":"两西西里王国和奥斯曼帝国之间的礼物交换实践:“土耳其人”和奇怪的动物","authors":"Rosita D'amora","doi":"10.36253/cromohs-13645","DOIUrl":null,"url":null,"abstract":"Between August 1741 and the spring of 1743, following the conclusion of a treaty between the Kingdom of the Two Sicilies and the Porte, Naples became the stage of a series of attentively choreographed events starring two special guests: Hacı Hüseyin Efendi, an envoy of the sultan Mahmud I and an elephant, presented as a sultan's gift to the King Charles of Bourbon. Both guests became a public spectacle, aroused great curiosity, and generated many written and visual responses. Resorting to both the Neapolitan court-sponsored textual and visual reconstructions and to unpublished archival documents, this article shows how the both on- and off-stage performances arranged to present the envoy, and the sultan's gifts, had the clear intent of leaving a long-lasting impression on the new Ottoman ally, but also aimed to assert the power of the Bourbon king inspiring sentiments of wonder, admiration and devotion in his subjects. \n ","PeriodicalId":38885,"journal":{"name":"Cromohs","volume":"114 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gift Exchanging Practices between the Kingdom of the Two Sicilies and the Ottoman Empire: ‘Cose Turche’ and Strange Animals\",\"authors\":\"Rosita D'amora\",\"doi\":\"10.36253/cromohs-13645\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Between August 1741 and the spring of 1743, following the conclusion of a treaty between the Kingdom of the Two Sicilies and the Porte, Naples became the stage of a series of attentively choreographed events starring two special guests: Hacı Hüseyin Efendi, an envoy of the sultan Mahmud I and an elephant, presented as a sultan's gift to the King Charles of Bourbon. Both guests became a public spectacle, aroused great curiosity, and generated many written and visual responses. Resorting to both the Neapolitan court-sponsored textual and visual reconstructions and to unpublished archival documents, this article shows how the both on- and off-stage performances arranged to present the envoy, and the sultan's gifts, had the clear intent of leaving a long-lasting impression on the new Ottoman ally, but also aimed to assert the power of the Bourbon king inspiring sentiments of wonder, admiration and devotion in his subjects. \\n \",\"PeriodicalId\":38885,\"journal\":{\"name\":\"Cromohs\",\"volume\":\"114 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cromohs\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36253/cromohs-13645\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cromohs","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36253/cromohs-13645","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Gift Exchanging Practices between the Kingdom of the Two Sicilies and the Ottoman Empire: ‘Cose Turche’ and Strange Animals
Between August 1741 and the spring of 1743, following the conclusion of a treaty between the Kingdom of the Two Sicilies and the Porte, Naples became the stage of a series of attentively choreographed events starring two special guests: Hacı Hüseyin Efendi, an envoy of the sultan Mahmud I and an elephant, presented as a sultan's gift to the King Charles of Bourbon. Both guests became a public spectacle, aroused great curiosity, and generated many written and visual responses. Resorting to both the Neapolitan court-sponsored textual and visual reconstructions and to unpublished archival documents, this article shows how the both on- and off-stage performances arranged to present the envoy, and the sultan's gifts, had the clear intent of leaving a long-lasting impression on the new Ottoman ally, but also aimed to assert the power of the Bourbon king inspiring sentiments of wonder, admiration and devotion in his subjects.