{"title":"错位的问题","authors":"J. Dutkiewicz","doi":"10.1215/17432197-9716310","DOIUrl":null,"url":null,"abstract":"Consider the Get Well card. Sending a card like this to someone convalescing from an injury or, more likely in our pandemic present, a disease, on the face of it does very little for the afflicted party. It’s just a gesture. One that says “Hey, I’m here, I’m thinking of you.” The card’s value, writes Chris Ingraham in Gestures of Concern, “lies less in being effective than in being expressive” (2). Taken together, however, far from being either explicitly political or entirely trite, “noninstrumental expressive acts” like sending Get Well cards serve to “enact a spirit of sociality that builds an affective commonwealth” (2). Ingraham, a professor of communication at the University of Utah, argues that as scholars and citizens we need to pay more attention to forms of relations, communication, and rhetoric that go beyond the explicit, verbal, and instrumental, to those that subtly and often imperceptibly shape the affective worlds we inhabit. While scholars of cultural politics have long been concerned with finding the political in the personal and quotidian, Ingraham asks us to think of those everyday actions that prefigure or skirt the political, but that nonetheless help shape the affective commonwealth we inhabit and where our politics are formed. Ingraham’s project is neither prescriptive nor normative; he does not call for anyone to engage in any specific gestures of concern, nor does he suggest that individual actions will in and of themselves contribute to lasting political or even affective changes. Rather, his is a call for attunement to everyday rhetoric and action. This is a welcome invitation. In almost everything we do, we both start from and help create affects and dispositions “that orient us to one another and to B o o k R e v i e w","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Misplaced Concern\",\"authors\":\"J. Dutkiewicz\",\"doi\":\"10.1215/17432197-9716310\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Consider the Get Well card. Sending a card like this to someone convalescing from an injury or, more likely in our pandemic present, a disease, on the face of it does very little for the afflicted party. It’s just a gesture. One that says “Hey, I’m here, I’m thinking of you.” The card’s value, writes Chris Ingraham in Gestures of Concern, “lies less in being effective than in being expressive” (2). Taken together, however, far from being either explicitly political or entirely trite, “noninstrumental expressive acts” like sending Get Well cards serve to “enact a spirit of sociality that builds an affective commonwealth” (2). Ingraham, a professor of communication at the University of Utah, argues that as scholars and citizens we need to pay more attention to forms of relations, communication, and rhetoric that go beyond the explicit, verbal, and instrumental, to those that subtly and often imperceptibly shape the affective worlds we inhabit. While scholars of cultural politics have long been concerned with finding the political in the personal and quotidian, Ingraham asks us to think of those everyday actions that prefigure or skirt the political, but that nonetheless help shape the affective commonwealth we inhabit and where our politics are formed. Ingraham’s project is neither prescriptive nor normative; he does not call for anyone to engage in any specific gestures of concern, nor does he suggest that individual actions will in and of themselves contribute to lasting political or even affective changes. Rather, his is a call for attunement to everyday rhetoric and action. This is a welcome invitation. In almost everything we do, we both start from and help create affects and dispositions “that orient us to one another and to B o o k R e v i e w\",\"PeriodicalId\":35197,\"journal\":{\"name\":\"Cultural Politics\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Politics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/17432197-9716310\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-9716310","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
Consider the Get Well card. Sending a card like this to someone convalescing from an injury or, more likely in our pandemic present, a disease, on the face of it does very little for the afflicted party. It’s just a gesture. One that says “Hey, I’m here, I’m thinking of you.” The card’s value, writes Chris Ingraham in Gestures of Concern, “lies less in being effective than in being expressive” (2). Taken together, however, far from being either explicitly political or entirely trite, “noninstrumental expressive acts” like sending Get Well cards serve to “enact a spirit of sociality that builds an affective commonwealth” (2). Ingraham, a professor of communication at the University of Utah, argues that as scholars and citizens we need to pay more attention to forms of relations, communication, and rhetoric that go beyond the explicit, verbal, and instrumental, to those that subtly and often imperceptibly shape the affective worlds we inhabit. While scholars of cultural politics have long been concerned with finding the political in the personal and quotidian, Ingraham asks us to think of those everyday actions that prefigure or skirt the political, but that nonetheless help shape the affective commonwealth we inhabit and where our politics are formed. Ingraham’s project is neither prescriptive nor normative; he does not call for anyone to engage in any specific gestures of concern, nor does he suggest that individual actions will in and of themselves contribute to lasting political or even affective changes. Rather, his is a call for attunement to everyday rhetoric and action. This is a welcome invitation. In almost everything we do, we both start from and help create affects and dispositions “that orient us to one another and to B o o k R e v i e w
期刊介绍:
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.