{"title":"五米诗歌的电影阅读:卡洛斯·奥昆多·德·阿马特作品的中间方法","authors":"Elena Guichot-Muñoz","doi":"10.17230/co-herencia.17.33.8","DOIUrl":null,"url":null,"abstract":"Humanistic research acquires a new nuance in the analyses that involve languages from different artistic disciplines. Therefore, in this article, an intermedia analytical approach to the work Cinco metros de poemas by Carlos Oquendo de Amat is aimed at, starting from the movie strategies found in his poems, extracted from the semiology of the cinematographic discourse. This analytical point sheds light on the complex virtuosity of his work, applying the theories of camera","PeriodicalId":41856,"journal":{"name":"Co-herencia","volume":"24 1","pages":"227-247"},"PeriodicalIF":0.2000,"publicationDate":"2020-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lecturas cinematográficas de Cinco metros de poemas: un acercamiento intermedial a la obra de Carlos Oquendo de Amat\",\"authors\":\"Elena Guichot-Muñoz\",\"doi\":\"10.17230/co-herencia.17.33.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Humanistic research acquires a new nuance in the analyses that involve languages from different artistic disciplines. Therefore, in this article, an intermedia analytical approach to the work Cinco metros de poemas by Carlos Oquendo de Amat is aimed at, starting from the movie strategies found in his poems, extracted from the semiology of the cinematographic discourse. This analytical point sheds light on the complex virtuosity of his work, applying the theories of camera\",\"PeriodicalId\":41856,\"journal\":{\"name\":\"Co-herencia\",\"volume\":\"24 1\",\"pages\":\"227-247\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Co-herencia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17230/co-herencia.17.33.8\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Co-herencia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17230/co-herencia.17.33.8","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Lecturas cinematográficas de Cinco metros de poemas: un acercamiento intermedial a la obra de Carlos Oquendo de Amat
Humanistic research acquires a new nuance in the analyses that involve languages from different artistic disciplines. Therefore, in this article, an intermedia analytical approach to the work Cinco metros de poemas by Carlos Oquendo de Amat is aimed at, starting from the movie strategies found in his poems, extracted from the semiology of the cinematographic discourse. This analytical point sheds light on the complex virtuosity of his work, applying the theories of camera
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