{"title":"高级英语学习者的第二语言节奏产生与音乐节奏感知","authors":"Mateusz Jekiel","doi":"10.1515/psicl-2022-0016","DOIUrl":null,"url":null,"abstract":"Abstract The aim of this research is to investigate the relation between musical aptitude and the acquisition of L2 rhythm by Polish advanced learners of English. A longitudinal study was conducted among 50 Polish students of English reading the “Please Call Stella” passage before and after an intensive two-semester accent training course supplemented by an extensive practical course in English phonetics and phonology. Participants also completed two musical hearing tests (Mandell 2009) and a survey on musical experience. Automated alignment was performed in DARLA (Reddy and Stanford 2015) and reviewed in Praat (Boersma and Weenink 2019). We compared the rhythm metrics calculated in Correlatore (Mairano and Romano 2010) before and after training and juxtaposed them against the pronunciation teachers’ results. We reported a significant difference between the scores for vocalic intervals across all rhythm metrics, indicating that participants’ produced higher vocalic variation after training, more similar to their teachers. However, we observed no significant relationship between the participants’ rhythm metric scores and their musical hearing test scores or musical experience, suggesting that musical aptitude might not play a crucial role in the L2 rhythm production in a formal academic learning environment.","PeriodicalId":43804,"journal":{"name":"Poznan Studies in Contemporary Linguistics","volume":"80 1","pages":"315 - 340"},"PeriodicalIF":0.5000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"L2 rhythm production and musical rhythm perception in advanced learners of English\",\"authors\":\"Mateusz Jekiel\",\"doi\":\"10.1515/psicl-2022-0016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The aim of this research is to investigate the relation between musical aptitude and the acquisition of L2 rhythm by Polish advanced learners of English. A longitudinal study was conducted among 50 Polish students of English reading the “Please Call Stella” passage before and after an intensive two-semester accent training course supplemented by an extensive practical course in English phonetics and phonology. Participants also completed two musical hearing tests (Mandell 2009) and a survey on musical experience. Automated alignment was performed in DARLA (Reddy and Stanford 2015) and reviewed in Praat (Boersma and Weenink 2019). We compared the rhythm metrics calculated in Correlatore (Mairano and Romano 2010) before and after training and juxtaposed them against the pronunciation teachers’ results. We reported a significant difference between the scores for vocalic intervals across all rhythm metrics, indicating that participants’ produced higher vocalic variation after training, more similar to their teachers. However, we observed no significant relationship between the participants’ rhythm metric scores and their musical hearing test scores or musical experience, suggesting that musical aptitude might not play a crucial role in the L2 rhythm production in a formal academic learning environment.\",\"PeriodicalId\":43804,\"journal\":{\"name\":\"Poznan Studies in Contemporary Linguistics\",\"volume\":\"80 1\",\"pages\":\"315 - 340\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Poznan Studies in Contemporary Linguistics\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1515/psicl-2022-0016\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Poznan Studies in Contemporary Linguistics","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1515/psicl-2022-0016","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 2
摘要
摘要本研究旨在探讨波兰高级英语学习者的音乐天赋与第二语言节奏习得之间的关系。我们对50名波兰学生进行了一项纵向研究,他们在两个学期的强化口音训练课程之前和之后阅读了“请打电话给斯特拉”这一段落,并辅以广泛的英语语音和音韵学实践课程。参与者还完成了两项音乐听力测试(Mandell 2009)和一项音乐体验调查。在DARLA进行了自动校准(Reddy和Stanford 2015),并在Praat进行了审查(Boersma和Weenink 2019)。我们比较了培训前后在Correlatore (Mairano and Romano 2010)中计算的节奏指标,并将其与发音教师的结果进行对比。我们报告了所有节奏指标的语音间隔得分之间的显著差异,表明参与者在训练后产生了更高的语音变化,更类似于他们的老师。然而,我们观察到参与者的节奏度量分数与他们的音乐听力测试分数或音乐经验之间没有显著的关系,这表明在正式的学术学习环境中,音乐天赋可能在第二语言节奏产生中不起关键作用。
L2 rhythm production and musical rhythm perception in advanced learners of English
Abstract The aim of this research is to investigate the relation between musical aptitude and the acquisition of L2 rhythm by Polish advanced learners of English. A longitudinal study was conducted among 50 Polish students of English reading the “Please Call Stella” passage before and after an intensive two-semester accent training course supplemented by an extensive practical course in English phonetics and phonology. Participants also completed two musical hearing tests (Mandell 2009) and a survey on musical experience. Automated alignment was performed in DARLA (Reddy and Stanford 2015) and reviewed in Praat (Boersma and Weenink 2019). We compared the rhythm metrics calculated in Correlatore (Mairano and Romano 2010) before and after training and juxtaposed them against the pronunciation teachers’ results. We reported a significant difference between the scores for vocalic intervals across all rhythm metrics, indicating that participants’ produced higher vocalic variation after training, more similar to their teachers. However, we observed no significant relationship between the participants’ rhythm metric scores and their musical hearing test scores or musical experience, suggesting that musical aptitude might not play a crucial role in the L2 rhythm production in a formal academic learning environment.