The Whore and the Madonna: The Ambivalent Positionings of Women in British Imperial Histories on Southeast Asia

This article examines how British imperial historians of the early twentieth century, the zenith of the colonial era, approached the writing of British colonial women into their histories. In the early nineteenth century, hundreds of British women went out to the British colonies in Southeast Asia, yet to date, their stories and experiences have largely been neglected by historians. In general, the nature of the imperial project, with its emphasis on masculinist values of conquest, territorial expansionism and despotic administration, left little scope for the inclusion of women’s experiences and contributions in its histories. This article focuses closely on how British historians of the period of high imperialism approached writing about two prominent women, the wives of an imperialist hero, Stamford Raffles. It shows how conventional assumptions about women were entangled with prevailing gendered ideologies, such as the madonna/whore stereotypes, which in turn were enmeshed with notions concerning Orientalism, class and race. The result was a deeply ambivalent portrayal of these colonial women, which awkwardly brought together divergent elements of sexual scandal, wifely devotion, literary achievement, delicate health, career promotion, emotional care taking and judgments about beauty. These positionings tell us more about contemporary cultural discourses than they do about the women themselves.