{"title":"颤抖的网络或情感社会学:杜波依斯的《追寻银羊毛》","authors":"C. M. Class","doi":"10.1093/melus/mlac058","DOIUrl":null,"url":null,"abstract":"W. E. B. Du Bois begins his first novel, The Quest of the Silver Fleece (1911), with a note in which he explains that he cannot promise that the tale is told “well” or “beautifully,” pledging only that it is “honest” and that “In no fact or picture have I consciously set down aught the counterpart of which I have not seen or known; and whatever the finished picture may lack of completeness, this lack is due now to the story-teller, now to the artist, but never to the herald of the Truth.” Speaking to a sociological criterion of “Truth” and leaning on his background as a sociologist, as opposed to a craftsman, Du Bois attests that his novel is premised on his careful observations and experiences. While it might not have ultimately achieved “completeness","PeriodicalId":44959,"journal":{"name":"MELUS","volume":"10 1","pages":"48 - 70"},"PeriodicalIF":0.3000,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Trembling Network or a Sociology of Feeling: W. E. B. Du Bois’s The Quest of the Silver Fleece\",\"authors\":\"C. M. Class\",\"doi\":\"10.1093/melus/mlac058\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"W. E. B. Du Bois begins his first novel, The Quest of the Silver Fleece (1911), with a note in which he explains that he cannot promise that the tale is told “well” or “beautifully,” pledging only that it is “honest” and that “In no fact or picture have I consciously set down aught the counterpart of which I have not seen or known; and whatever the finished picture may lack of completeness, this lack is due now to the story-teller, now to the artist, but never to the herald of the Truth.” Speaking to a sociological criterion of “Truth” and leaning on his background as a sociologist, as opposed to a craftsman, Du Bois attests that his novel is premised on his careful observations and experiences. While it might not have ultimately achieved “completeness\",\"PeriodicalId\":44959,\"journal\":{\"name\":\"MELUS\",\"volume\":\"10 1\",\"pages\":\"48 - 70\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MELUS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/melus/mlac058\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MELUS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/melus/mlac058","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 1
摘要
杜波依斯(w.e.b. Du Bois)在他的第一部小说《寻银羊毛》(The Quest of The Silver Fleece, 1911)的开头写了一个注释,他解释说,他不能保证这个故事讲得“好”或“漂亮”,只保证它是“诚实的”,而且“我没有在任何事实或图片中有意识地写下任何我没有见过或不知道的对应内容;不管完成的图画有什么不完整之处,这种不完整有时是由于讲故事的人,有时是由于艺术家,而决不是由于真理的宣讲者。”杜波依斯以“真理”这一社会学标准为依据,以他作为社会学家(而不是工匠)的背景为依托,证明他的小说是以他仔细的观察和经历为前提的。虽然它可能没有最终实现“完整性”
The Trembling Network or a Sociology of Feeling: W. E. B. Du Bois’s The Quest of the Silver Fleece
W. E. B. Du Bois begins his first novel, The Quest of the Silver Fleece (1911), with a note in which he explains that he cannot promise that the tale is told “well” or “beautifully,” pledging only that it is “honest” and that “In no fact or picture have I consciously set down aught the counterpart of which I have not seen or known; and whatever the finished picture may lack of completeness, this lack is due now to the story-teller, now to the artist, but never to the herald of the Truth.” Speaking to a sociological criterion of “Truth” and leaning on his background as a sociologist, as opposed to a craftsman, Du Bois attests that his novel is premised on his careful observations and experiences. While it might not have ultimately achieved “completeness