{"title":"淑女与绅士:早期马拉雅拉姆漫画中不断变化的性别关系与焦虑","authors":"Nassif Muhammed Ali","doi":"10.1177/03769836221096231","DOIUrl":null,"url":null,"abstract":"Kerala, towards the end of the nineteenth century, witnessed an awakening which left impressions on all the walks of the society. The advent of modernity, which was triggered by the British rule as well the state’s attempt to widen education and welfare measures, initiated reform movements among almost all the communities. The accessibility to modern education and resultant exposure to scientific, philosophic and humanistic values as well as ideas such as liberty, equality, secularism and individualism changed the perception of men and women towards the society and towards the self. This also resulted in the formation and spread of media and journalism, which in turn led to the rise of humour magazines and eventually, cartoons in Malayalam. However, the perception of these media and medium towards the other aspects of modernity was quite complex to say the least. The western educated woman and man, it can be found, have been featured in quite a number of cartoons across magazines. The article, therefore, focuses on the representations of changing gender relations in the Malayali society through cartoons published in humour magazines (Sanjayan, Vishwaroopam, Naradar and Sarasan) from late 1930s to 1960s. Starting with Sanjayan, these cartoons targeted the ‘modern’ women and men, albeit in different ways. Those on women lampooned their emancipation, education, access to the public sphere etc. and its perceived effect on the sociocultural setup, especially within and in relation to the institutions of marriage and family. On the other hand, men were ridiculed for their westernisation and emasculation.","PeriodicalId":41945,"journal":{"name":"Indian Historical Review","volume":"36 1","pages":"26 - 50"},"PeriodicalIF":0.1000,"publicationDate":"2022-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Lady and the Gentleman: Changing Gender Relations and Anxieties in Early Malayalam Cartoons\",\"authors\":\"Nassif Muhammed Ali\",\"doi\":\"10.1177/03769836221096231\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Kerala, towards the end of the nineteenth century, witnessed an awakening which left impressions on all the walks of the society. The advent of modernity, which was triggered by the British rule as well the state’s attempt to widen education and welfare measures, initiated reform movements among almost all the communities. The accessibility to modern education and resultant exposure to scientific, philosophic and humanistic values as well as ideas such as liberty, equality, secularism and individualism changed the perception of men and women towards the society and towards the self. This also resulted in the formation and spread of media and journalism, which in turn led to the rise of humour magazines and eventually, cartoons in Malayalam. However, the perception of these media and medium towards the other aspects of modernity was quite complex to say the least. The western educated woman and man, it can be found, have been featured in quite a number of cartoons across magazines. The article, therefore, focuses on the representations of changing gender relations in the Malayali society through cartoons published in humour magazines (Sanjayan, Vishwaroopam, Naradar and Sarasan) from late 1930s to 1960s. Starting with Sanjayan, these cartoons targeted the ‘modern’ women and men, albeit in different ways. Those on women lampooned their emancipation, education, access to the public sphere etc. and its perceived effect on the sociocultural setup, especially within and in relation to the institutions of marriage and family. On the other hand, men were ridiculed for their westernisation and emasculation.\",\"PeriodicalId\":41945,\"journal\":{\"name\":\"Indian Historical Review\",\"volume\":\"36 1\",\"pages\":\"26 - 50\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Indian Historical Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/03769836221096231\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indian Historical Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/03769836221096231","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
The Lady and the Gentleman: Changing Gender Relations and Anxieties in Early Malayalam Cartoons
Kerala, towards the end of the nineteenth century, witnessed an awakening which left impressions on all the walks of the society. The advent of modernity, which was triggered by the British rule as well the state’s attempt to widen education and welfare measures, initiated reform movements among almost all the communities. The accessibility to modern education and resultant exposure to scientific, philosophic and humanistic values as well as ideas such as liberty, equality, secularism and individualism changed the perception of men and women towards the society and towards the self. This also resulted in the formation and spread of media and journalism, which in turn led to the rise of humour magazines and eventually, cartoons in Malayalam. However, the perception of these media and medium towards the other aspects of modernity was quite complex to say the least. The western educated woman and man, it can be found, have been featured in quite a number of cartoons across magazines. The article, therefore, focuses on the representations of changing gender relations in the Malayali society through cartoons published in humour magazines (Sanjayan, Vishwaroopam, Naradar and Sarasan) from late 1930s to 1960s. Starting with Sanjayan, these cartoons targeted the ‘modern’ women and men, albeit in different ways. Those on women lampooned their emancipation, education, access to the public sphere etc. and its perceived effect on the sociocultural setup, especially within and in relation to the institutions of marriage and family. On the other hand, men were ridiculed for their westernisation and emasculation.
期刊介绍:
The Indian Historical Review (IHR), a peer reviewed journal, addresses research interest in all areas of historical studies, ranging from early times to contemporary history. While its focus is on the Indian subcontinent, it has carried historical writings on other parts of the world as well. Committed to excellence in scholarship and accessibility in style, the IHR welcomes articles which deal with recent advancements in the study of history and discussion of method in relation to empirical research. All articles, including those which are commissioned, are independently and confidentially refereed. The IHR will aim to promote the work of new scholars in the field. In order to create a forum for discussion, it will be interested in particular in writings which critically respond to articles previously published in this journal. The IHR has been published since 1974 by the Indian Council of Historical Research. It is edited by an Editorial Board appointed by the Council. The Council also obtains the advice and support of an Advisory Committee which comprises those members of the Council who are not members of the editorial board.