2021年威尼斯建筑双年展:消失的建筑之谜

Q3 Arts and Humanities
N. Harvey
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引用次数: 0

摘要

建筑在上个世纪经历了声誉和公众尊重的过山车之旅。像大多数这样的旅程一样,它始于上个世纪。到了19世纪70年代,许多欧洲建筑师感到他们的学科空间受到了两方面的入侵:首先,正如德国理论家戈特弗里德·塞姆普所说,他们已经变成了“装扮”方面的专家,覆盖着工程师专门设计的装饰结构;其次,令人失望的是,人们越来越意识到,这样的装饰词汇已经变成了纯粹的历史仿制品,而过去一个世纪前所未有的技术进步尚未形成自己的风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings
Architecturein the last century has been along a rollercoaster journey of reputation andpublic esteem. And like most such journeys, it had its start in the centurybefore. By the 1870’s many European architects felt their disciplinary spacewas subject to two incursions: firstly, as the German theorist Gottfried Semperput it, they had become mere specialists in ‘dressing’, covering with ornamentstructures exclusively designed by engineers; secondly, there was an increasingsense that such a vocabulary of ornament had, disappointingly, become mere historicalpastiche, and the past century of unprecedented technological progress had yetto produce its own style.  
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来源期刊
Body, Space and Technology
Body, Space and Technology Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.60
自引率
0.00%
发文量
5
审稿时长
10 weeks
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