{"title":"写作、政治和大众:Contra和周六的多色杂志","authors":"María de los Ángeles Mascioto","doi":"10.24215/18517811E190A","DOIUrl":null,"url":null,"abstract":"This article analyzes the relationships between political avant-garde and cultural industry focusing in the circulation of writers, genres and writing modalities among the Argentine newspaper Critica, the review Contra and Critica’s literary supplement, Revista Multicolor de los Sabados, in order to identify both the differences among massive newspaper, Gonzalez Tunon's review, and supplement, as well as the permeability among them. On the one hand, the social function of art about which writers debated in leftist publications created tensions against journalistic commercial aspirations. On the other hand, literary productions worked with topics, images and themes from both cultural industry and left-wing culture.","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Escritura, política y masividad: Contra y la Revista Multicolor de los Sábados\",\"authors\":\"María de los Ángeles Mascioto\",\"doi\":\"10.24215/18517811E190A\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article analyzes the relationships between political avant-garde and cultural industry focusing in the circulation of writers, genres and writing modalities among the Argentine newspaper Critica, the review Contra and Critica’s literary supplement, Revista Multicolor de los Sabados, in order to identify both the differences among massive newspaper, Gonzalez Tunon's review, and supplement, as well as the permeability among them. On the one hand, the social function of art about which writers debated in leftist publications created tensions against journalistic commercial aspirations. On the other hand, literary productions worked with topics, images and themes from both cultural industry and left-wing culture.\",\"PeriodicalId\":53760,\"journal\":{\"name\":\"Orbis Tertius\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-07-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Orbis Tertius\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24215/18517811E190A\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Orbis Tertius","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24215/18517811E190A","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
本文从阿根廷报纸《批判》、《Contra》和《批判》的文学副刊《Revista Multicolor de los Sabados》的作家、体裁和写作方式的流通等方面分析政治先锋派与文化产业的关系,以识别大型报纸、冈萨雷斯·图农的评论和副刊之间的差异,以及它们之间的渗透性。一方面,作家们在左翼刊物上讨论的艺术的社会功能,造成了与新闻商业抱负的紧张关系。另一方面,文学作品的主题、形象和主题都来自文化工业和左翼文化。
Escritura, política y masividad: Contra y la Revista Multicolor de los Sábados
This article analyzes the relationships between political avant-garde and cultural industry focusing in the circulation of writers, genres and writing modalities among the Argentine newspaper Critica, the review Contra and Critica’s literary supplement, Revista Multicolor de los Sabados, in order to identify both the differences among massive newspaper, Gonzalez Tunon's review, and supplement, as well as the permeability among them. On the one hand, the social function of art about which writers debated in leftist publications created tensions against journalistic commercial aspirations. On the other hand, literary productions worked with topics, images and themes from both cultural industry and left-wing culture.