{"title":"亨利克Stażewski的美国艺术","authors":"Marta Zboralska","doi":"10.1086/725119","DOIUrl":null,"url":null,"abstract":"This article probes the validity of the center-periphery relation as a model for studying postwar artistic exchange within the idiom of geometric abstraction. Focusing on Polish artist Henryk Stażewski’s later work, the essay reflects on the complex temporal relationship between the avant-garde and the neo avant-garde in the context of transnationalism, exploring the potential of viewing US art through the eyes of a non-American artist.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"35 1","pages":"4 - 19"},"PeriodicalIF":0.1000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Henryk Stażewski’s Art in America\",\"authors\":\"Marta Zboralska\",\"doi\":\"10.1086/725119\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article probes the validity of the center-periphery relation as a model for studying postwar artistic exchange within the idiom of geometric abstraction. Focusing on Polish artist Henryk Stażewski’s later work, the essay reflects on the complex temporal relationship between the avant-garde and the neo avant-garde in the context of transnationalism, exploring the potential of viewing US art through the eyes of a non-American artist.\",\"PeriodicalId\":41204,\"journal\":{\"name\":\"ARCHIVES OF AMERICAN ART JOURNAL\",\"volume\":\"35 1\",\"pages\":\"4 - 19\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVES OF AMERICAN ART JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/725119\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVES OF AMERICAN ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/725119","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
This article probes the validity of the center-periphery relation as a model for studying postwar artistic exchange within the idiom of geometric abstraction. Focusing on Polish artist Henryk Stażewski’s later work, the essay reflects on the complex temporal relationship between the avant-garde and the neo avant-garde in the context of transnationalism, exploring the potential of viewing US art through the eyes of a non-American artist.
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