亨利克Stażewski的美国艺术

IF 0.1 3区 艺术学 0 ART
Marta Zboralska
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引用次数: 0

摘要

本文探讨了中心-边缘关系作为研究战后艺术交流的模型在几何抽象习语中的有效性。本文以波兰艺术家Henryk Stażewski的后期作品为重点,反思了在跨国主义背景下前卫与新前卫之间复杂的时间关系,探索了通过非美国艺术家的眼睛来看待美国艺术的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Henryk Stażewski’s Art in America
This article probes the validity of the center-periphery relation as a model for studying postwar artistic exchange within the idiom of geometric abstraction. Focusing on Polish artist Henryk Stażewski’s later work, the essay reflects on the complex temporal relationship between the avant-garde and the neo avant-garde in the context of transnationalism, exploring the potential of viewing US art through the eyes of a non-American artist.
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