导论:世界博览会、展览与人类学

IF 0.3 Q4 ANTHROPOLOGY
Patrícia Ferraz de Matos, Hande Birkalan-Gedik, Andrés Barrera-González, Pegi Vail
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引用次数: 0

摘要

世界博览会是帝国展示其工业和科技成就的重要场所。此外,他们还提出了“文明模型”,把欧洲人描绘成最先进、最复杂的人,把遥远的居民描绘成异国情调和原始的人。在描绘遥远的民族时,这些对比在他们的服装风格、舞蹈、音乐和日常习俗的表现上很明显,但最明显的是在他们的肤色上。五篇文章聚焦于不同地点和时间的世界博览会和展览,这期特刊提出了关于人类的展示和展示的问题,这些问题仍然与人类学的当前背景有关。文章呼吁在政治和公共空间中以“去殖民化”的思想、话语和实践来展示当代文化。在承认“去殖民化”本身的问题和局限性的同时,文章通过批判性的视角重新评估了人类学早期博览会和展览之间的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: World Fairs, Exhibitions and Anthropology
World fairs and exhibitions served as important venues for empires to showcase their industrial and technological achievements. Moreover, they also presented ‘civilisational models’ that portrayed Europeans as the most advanced and sophisticated and depicted the distant inhabitants as exotic and primitive. In portraying distant peoples, these contrasts were evident through their dress styles, dance, music, and performance of daily customs, but most noticeably, through their skin colours. With five articles focusing on world fairs and exhibitions in diverse locations and times, this special issue raises questions about the display and showcasing of humans that are still pertinent to the current contexts of anthropology. The articles call for ‘decolonising’ thoughts, discourses, and practices in political and public space in displaying contemporary cultures. While acknowledging the problematics and limits of ‘decolonisation’ itself, the articles reassess through a critical lens the connections between fairs and exhibitions in the early days of anthropology.
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CiteScore
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自引率
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审稿时长
16 weeks
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