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引用次数: 0
摘要
这篇文章探讨如何跨性别的主题是传达在两个瑞典图形叙事。奥利维亚·斯科格伦的处女作图文回忆录，Nästan i mavul !《几乎在那里:一个滑稽的转变》(2020)讲述了奥利维亚作为一个跨性别女人在一个毫无线索的顺式社会中穿行的故事，而埃利亚斯·埃里克森的图画小说《戴安娜与查理》(2021)描述了两个跨性别朋友之间的关系，以及他们在异性恋规范的社会中寻找情感稳定的斗争。借鉴Elisabeth El Rafaie的图像隐喻、空间隐喻和风格隐喻的视觉隐喻理论，作者认为Skoglund和Ericson都将身体体验、外表和感知作为他们对跨性别者关注的中心，传达了性别认知的斗争，以及社会对跨性别者的错误性别化。
Bodily Experience and Visual Metaphor in Two Swedish Trans Graphic Narratives
This article examines how transgender themes are conveyed in two Swedish graphic narratives. Olivia Skoglund’s debut graphic memoir, Nästan i mål! En komisk transition [Almost there: A comical transition] (2020) follows Olivia who navigates as a trans woman through a clueless cis society, while Elias Ericson’s graphic novel Diana & Charlie (2021) depicts the relationship between two transgender friends and their struggle to find emotional stability in a heteronormative society. Drawing on Elisabeth El Rafaie’s visual metaphor theory of pictorial, spatial and stylistic metaphors, it is argued that both Skoglund and Ericson place bodily experience, appearance, and perception at the centre of their concerns of being transgender, conveying the struggle for gender recognition as well as showing the misgendering of trans people by society.
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