尼克·亚当斯在海明威《你永远不会走的路》中的内心独白

John Beall
{"title":"尼克·亚当斯在海明威《你永远不会走的路》中的内心独白","authors":"John Beall","doi":"10.1353/hem.2021.0006","DOIUrl":null,"url":null,"abstract":"Abstract:As Hemingway wrote to his editor, Maxwell Perkins, he once thought \"A Way You'll Never Be\" would give his collection, Winner Take Nothing, an action-packed tale. Instead, the story became what Hemingway described as a \"hell of a difficult one.\" At the center of its difficulty and its power are interior monologues from the viewpoint of Nick Adams, who veers between memories of battles on the Italian front, memories of Paris, and dreams centered on a yellow house. In order to understand Nick's monologues, this essay explores four allusions in the story—to an Italian battle cry (\"Savoia\"), to a \"teleferica,\" to Parisian night scenes, and to a yellow house. Hemingway completed a story whose difficulties are central to its powerful portrait of Nick's struggle for self-command.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Nick Adams's Interior Monologues in Hemingway's \\\"A Way You'll Never Be\\\"\",\"authors\":\"John Beall\",\"doi\":\"10.1353/hem.2021.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:As Hemingway wrote to his editor, Maxwell Perkins, he once thought \\\"A Way You'll Never Be\\\" would give his collection, Winner Take Nothing, an action-packed tale. Instead, the story became what Hemingway described as a \\\"hell of a difficult one.\\\" At the center of its difficulty and its power are interior monologues from the viewpoint of Nick Adams, who veers between memories of battles on the Italian front, memories of Paris, and dreams centered on a yellow house. In order to understand Nick's monologues, this essay explores four allusions in the story—to an Italian battle cry (\\\"Savoia\\\"), to a \\\"teleferica,\\\" to Parisian night scenes, and to a yellow house. Hemingway completed a story whose difficulties are central to its powerful portrait of Nick's struggle for self-command.\",\"PeriodicalId\":22434,\"journal\":{\"name\":\"The Hemingway Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Hemingway Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/hem.2021.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Hemingway Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/hem.2021.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

摘要:海明威在写给编辑麦克斯韦·珀金斯的信中说,他曾以为《一条你永远不会成为的路》会让他的小说集《赢家一无所有》成为一个充满动感的故事。相反,这个故事变成了海明威所描述的“极其困难的故事”。影片难度和力量的核心是尼克·亚当斯(Nick Adams)的内心独白,他在意大利前线的战斗记忆、巴黎的记忆和以黄色房子为中心的梦想之间切换。为了理解尼克的独白,本文探讨了故事中的四个典喻——意大利的战斗口号(“Savoia”),“teleferica”,巴黎的夜景和黄色的房子。海明威完成了这个故事,其中的困难是尼克为自我控制而斗争的有力刻画的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nick Adams's Interior Monologues in Hemingway's "A Way You'll Never Be"
Abstract:As Hemingway wrote to his editor, Maxwell Perkins, he once thought "A Way You'll Never Be" would give his collection, Winner Take Nothing, an action-packed tale. Instead, the story became what Hemingway described as a "hell of a difficult one." At the center of its difficulty and its power are interior monologues from the viewpoint of Nick Adams, who veers between memories of battles on the Italian front, memories of Paris, and dreams centered on a yellow house. In order to understand Nick's monologues, this essay explores four allusions in the story—to an Italian battle cry ("Savoia"), to a "teleferica," to Parisian night scenes, and to a yellow house. Hemingway completed a story whose difficulties are central to its powerful portrait of Nick's struggle for self-command.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信