适应男子气概:以色列和美国类型重新定义米兹拉希男子气概在电视连续剧哈伯勒

IF 0.1 0 FILM, RADIO, TELEVISION

Jewish Film & New Media-An International Journal Pub Date : 2016-03-31 DOI:10.13110/JEWIFILMNEWMEDI.4.1.0090

Ronen Gil

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引用次数: 0

摘要

本文对以色列电视连续剧《Haborer》(The Arbitrator, 2007-2014)的讨论侧重于三种主要类型的融合，这三种类型是它的特征和定义:“男性化”的美国黑帮电影、“女性化”的肥皂剧和流行的以色列bourekas电影。我认为，这些不同而矛盾的流派的混合使得这个系列提出了一种新的、复杂的米兹拉希男子气概的表现。虽然布瑞卡流派将德系犹太人的男子气概描绘成与米兹拉希男子气概的两极对立，但《哈伯勒》中提供的米兹拉希男子气概采用并包含了布瑞卡德系犹太人的男子气概。

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Adapting Masculinities: Israeli and American Genres Redefining Mizrahi Masculinity in the TV Series Haborer

The discussion proposed in this article on the Israeli television series Haborer (The Arbitrator, 2007–2014) focuses on the blending of three major genres that characterize and define it: the “masculine” American gangster film, the “feminine” soap opera, and the popular Israeli bourekas movie.I claim that the hybridization of these diverse and contradictory genres allows the series to propose a new and complex representation of Mizrahi masculinity. While the bourekas genre depicted Ashkenazi masculinity as the polar opposite of Mizrahi masculinity, the Mizrahi masculinity offered in Haborer adopts and contains bourekas Ashkenazi masculinity.

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来源期刊

Jewish Film & New Media-An International Journal FILM, RADIO, TELEVISION-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.