重新定义梅斯蒂萨伊族:跨加勒比交流如何巩固古巴黑人意识

IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Small Axe Pub Date : 2021-07-01 DOI:10.1215/07990537-9384286
D. S. Benson
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引用次数: 0

摘要

摘要:本文通过考察非裔古巴知识分子的作品以及他们与加勒比思想家的会面,追溯了20世纪60年代和70年代古巴黑人运动的历史,以展示梅斯蒂扎伊人和黑人意识的共存是古巴黑人运动的一个决定性特征,但却被忽视了。虽然现有文献将黑人意识定位于英语和法语加勒比海地区,但本文强调了西班牙语国家的非裔古巴人如何不仅意识到加勒比意识形态,而且还将其适应当地环境。通过口述历史、文化作品和加勒比知识分子之间的会面,本文对古巴黑人激进主义的考察重新梳理了直至Nancy Morejón 1982年Nación y mestizaje en Nicolás guillacimen之前的那段时期,以表明这位诗人是众多艺术家兼激进主义者中的一员,他们复活了黑人历史,重新评价了非洲文化和黑人身份,并在古巴推动了加勒比黑人意识,尽管国家试图进行审查。对于Morejón来说,这意味着提供一个mestizaje的定义,这个定义贯穿并与黑人意识共存。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Redefining Mestizaje: How Trans-Caribbean Exchanges Solidified Black Consciousness in Cuba
Abstract:This essay recovers the history of 1960s and 1970s black movements in Cuba through an examination of works by Afro-Cuban intellectuals and their meetings with Caribbean thinkers to show the coexistence of mestizaje and black consciousness as a defining, but overlooked, feature of black activism in Cuba. While the existing literature locates black consciousness in the English- and French-speaking Caribbean, this essay highlights how Afro-Cubans in Spanish-speaking countries were not only aware of but also adapted Caribbean ideologies to local circumstances. Using oral histories, cultural productions, and meetings between Caribbean intellectuals, this examination of Afro-Cuban activism reframes the period leading up to Nancy Morejón's 1982 Nación y mestizaje en Nicolás Guillén to show that the poet was one of many artists-activists who resurrected black history, revalued African culture and black identity, and promoted Caribbean black consciousness in Cuba despite state attempts at censorship. For Morejón that meant offering a definition of mestizaje that goes through and coexists with black consciousness.
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来源期刊
Small Axe
Small Axe HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
16.70%
发文量
34
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