超人的符号学:杜马《火枪手三部曲》中的超人形象

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
V. Faritov
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引用次数: 0

摘要

本文阐述了大仲马《火枪手三部曲》的哲学动机。对大仲马和尼采的社会政治观点进行了比较研究。分析了三部曲诗学的特点。在尼采、斯宾格勒、桑巴特等人的学说背景下,揭示了大仲马小说的思想内涵和象征意义。大仲马三部曲和塞万提斯关于堂吉诃德的小说的主要动机是平行的。本文论证了大仲马《火枪手三部曲》的主要动机是超人形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semiotics of the superhuman: the superhuman images in A. Dumas' trilogy about the musketeers
The article explicates the philosophical motives of A. Dumas' trilogy about the musketeers. A comparative study of the socio-political views of A. Dumas and F. Nietzsche is carried out. The features of the trilogy poetics are analyzed. The ideological and figurative content of Dumas' novels is revealed in the context of the teachings of F. Nietzsche, O. Spengler, W. Sombart. The main motives of the Dumas trilogy and Cervantes' novel about Don Quixote are parallelized. The article substantiates the thesis that the main motive of the Dumas trilogy about the musketeers is the image of the superhuman.
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来源期刊
Chinese Semiotic Studies
Chinese Semiotic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
36
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