心理饮料包装照片作为社交媒体媒体的形象

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Renzy Ayu Rohmatillah
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引用次数: 0

摘要

本研究主要探讨了不同目的的Instagram上的照片分享现象。其中之一是展示一个人的身份或一个特定的群体。这项研究特别研究了一个在Instagram上迅速增长的饮料品牌“Janji Jiwa”,该品牌在印度尼西亚社会中很受欢迎。作为证据,该品牌曾在2019年被MURI(印度尼西亚记录博物馆)授予年度增长最快的咖啡店。本研究采用了Guy Debord(2002)提出的景观概念的理论方法。此外,本研究旨在提供与社交媒体中传达自我认同现象相关的解释。分发捕获的“Janji Jiwa”饮料可以被视为显示一个人的社会阶层的行为。观众看到的不是表演者本人,而是他所拿或使用的商品。在这种情况下,观众就是品牌本身的消费者。展示对饮料的捕捉,准确地说是“Janji Jiwa”,是一个人在建立理想的现实时展示自己的方式。它庆祝了一种由社交媒体代表的伪身份。炫耀商品的目的是努力指出一个理想的形象,因为它能够给人留下社会地位很高的印象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
POTRET KEMASAN MINUMAN JANJI JIWA SEBAGAI MEDIA PENCITRAAN DI SOSIAL MEDIA INSTAGRAM
This research mainly discussed the phenomenon of photo-sharing on Instagram with different aims. One of them was to show a person's identity or a particular group. This study specifically examined a beverage brand growing rapidly on Instagram named "Janji Jiwa", which is being popular among society in Indonesia. As an evidence, the brand once was awarded the fastest-growing coffee shop of the year by MURI (Indonesian Record Museum) in 2019. This research applied a theoretical approach that using the spectacle concept proposed by Guy Debord (2002). In addition, this current study aimed to provide an interpretation linked to the phenomenon of conveying self-identity within social media. Distributing the captured the "Janji Jiwa" beverage could be seen as the act of showing one's social class. Spectator saw the performer not as himself, but based on the commodities he was taking or using In this case, the spectator was consumer of the brand itself. Showing a capture of beverage, precisely "Janji Jiwa", was one's manner for presenting themselves as he built a desired reality. It celebrated a pseudo-identity represented on by social media.  Showing off a commodity was meant as an effort to point out a desired image because it was able to give the impression of a prestigious social status.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
18
期刊介绍: WACANA Jurnal Ilmu Pengetahuan Budaya is a peer-reviewed, open-access journal published by the Faculty of Humanities, University of Indonesia. It invites original articles on various issues within humanities, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, arts, library and information science focusing on Indonesian studies and research.WACANA seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published both online and in printed forms.
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