{"title":"亲爱的安吉拉,乔治·吉尔伯特夫人:可可·弗斯科给偶像的情书","authors":"Kimberly Lamm","doi":"10.1353/wsq.2022.0007","DOIUrl":null,"url":null,"abstract":"Abstract:This article examines Coco Fusco's 2004 experimental video essay a/k/a Mrs. George Gilbert and its Black feminist return to the events that made Angela Davis an icon of Black struggle and liberation at the onset of the 1970s. Tracing Fusco's \"epistolary aesthetic,\" I argue that a/k/a Mrs. George Gilbert can be read as a love letter to Davis that evokes the subjective singularity that often disappears behind her iconicity.","PeriodicalId":23857,"journal":{"name":"Wsq: Women's Studies Quarterly","volume":"17 1","pages":"105 - 126"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dear Angela, a/k/a Mrs. George Gilbert: Coco Fusco's Love Letter to an Icon\",\"authors\":\"Kimberly Lamm\",\"doi\":\"10.1353/wsq.2022.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article examines Coco Fusco's 2004 experimental video essay a/k/a Mrs. George Gilbert and its Black feminist return to the events that made Angela Davis an icon of Black struggle and liberation at the onset of the 1970s. Tracing Fusco's \\\"epistolary aesthetic,\\\" I argue that a/k/a Mrs. George Gilbert can be read as a love letter to Davis that evokes the subjective singularity that often disappears behind her iconicity.\",\"PeriodicalId\":23857,\"journal\":{\"name\":\"Wsq: Women's Studies Quarterly\",\"volume\":\"17 1\",\"pages\":\"105 - 126\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Wsq: Women's Studies Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/wsq.2022.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wsq: Women's Studies Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wsq.2022.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文考察了可可·弗斯科2004年的实验视频散文《a/k/a George Gilbert夫人》及其黑人女权主义回归,回顾了20世纪70年代初使安吉拉·戴维斯成为黑人斗争和解放象征的事件。根据福斯科的“书信体美学”,我认为乔治·吉尔伯特夫人可以被解读为一封给戴维斯的情书,唤起了她的标志性背后经常消失的主观独特性。
Dear Angela, a/k/a Mrs. George Gilbert: Coco Fusco's Love Letter to an Icon
Abstract:This article examines Coco Fusco's 2004 experimental video essay a/k/a Mrs. George Gilbert and its Black feminist return to the events that made Angela Davis an icon of Black struggle and liberation at the onset of the 1970s. Tracing Fusco's "epistolary aesthetic," I argue that a/k/a Mrs. George Gilbert can be read as a love letter to Davis that evokes the subjective singularity that often disappears behind her iconicity.