俄罗斯和前苏联共和国当代艺术家作品中的表现主义传统

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
E. Radaeva
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引用次数: 0

摘要

本文分析了表现主义方法对俄罗斯当代艺术家绘画的影响,以及乌克兰、白俄罗斯、亚美尼亚、哈萨克斯坦(或多或少)的影响。近年来的展览,关于艺术的主题公开(在社交网络上)成为研究的最初材料,然后我们有选择地谈论个人作者的作品。研究得出结论:在现代美术中,表现主义以其无条件的“生命力”和吸收新潮流的能力而著称;现代“表现主义者”的“笔迹”的特点是始终没有明暗对比,通常是色彩比例的矫情;在城市的抱怨中压抑的精神主题,以及抗议的精神,涌向女权主义或对文明(资产阶级/市场)的拒绝,有时-丑陋的审美化,死亡和衰败的主题,有时-原始主义,孩子气,对海报技术的吸引力。然而,今天我们面对的是表现主义的“软化”版本:并不总是对艺术家的世界持悲观态度,也不总是基于一个明显的反叛开端。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Expressionist Traditions in the Works of Contemporary Artists of Russia and Former Union Republics
The paper analyzes the influence of the expressionist method on the painting of contemporary artists in Russia, as well as (to a greater or lesser extent) Ukraine, Belarus, Armenia, Kazakhstan. The exhibitions of recent years, thematic publics on art (on social networks) came to be the study`s initial material, then we are talking selectively about the work of individual authors. The research allowed for concluding: in modern fine arts, expressionism is distinguished by its unconditional “vitality” and the ability to assimilate with new trends; the “handwriting” of modern “expressionists” is characterized by the constant absence of chiaroscuro, often — the pretentiousness of the color scale; the theme of the spirit stifling in the gripe of the City, and the spirit of protest, pouring out into feminism or rejection of civilization (bourgeois / market), sometimes — aestheticization of the ugly, motifs of death and decay, sometimes — primitivism, childishness, gravitation towards the poster technique. However, today we are dealing with a “softened” version of expressionism: not always a pessimistic view of the artist's world, not always based on a pronounced rebellious beginning.
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