离境:批判性难民研究集体对批判性难民研究的介绍(书评)

Q2 Arts and Humanities
Giacomo Traina
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引用次数: 1

摘要

离境是关键难民研究跨学科领域的入门卷,由关键难民研究集体编写,并由加州大学出版社出版。这本书在很多层面上都有作用,可以以多种方式阅读。本书部分是一本指南,部分是一份宣言,尽职尽责地完成了它预先设定的任务,向普通读者介绍批判性难民研究领域,同时还涉及到更大的问题和挑战。它的多重性质是明确的标题本身,意图作为一个暗示的行动,离开和偏离正规的路径。高度可读和锋利的边缘,为包括(和超越)学院和大学的观众量身定制,这本书可能会在许多课程大纲和阅读清单中找到它的方式。《离境》位于理论和抵抗、倡导和学术的十字路口,充满了愤怒、活力和乐观,毫无歉意地带有政治色彩。作者在“引言”中指出,批判性难民研究领域是“一种以难民认识论和经验为中心,通过难民和难民来控制图像和叙事的方法。”作为一个社区参与的关键领域,它假设有必要超越已有的人道主义叙事和框架,揭示联系军国主义与移民、权力与记忆、帝国与种族的潜在线索。这七位作者将索马里、英国和巴勒斯坦的诗歌、叙利亚的视觉艺术和越南裔美国人的独立电影摄影结合起来,呼吁采用新的方法和方法,以及超越主流难民叙事中简单的“逃离、绝望和营救”的新故事。这本书的目的是打破这种模式,强调“无形的权力关系决定了我们如何看待和消费难民主题”;也就是说,从根本上改变后者被法律、艺术和集体意识所定义的方式。大胆而富有挑衅性的离职将在未来几年引发人们的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Departures: An Introduction to Critical Refugee Studies by the Critical Refugee Studies Collective (A Book Review)
Departures is the introductory volume to the interdisciplinary field of Critical Refugee Studies, written by the Critical Refugee Studies Collective and published by the University of California Press. The book works on many levels and can be read in as many ways. Partly a guide, partly a manifesto, the book dutifully performs its pre-set task of introducing the general reader to the field of Critical Refugee Studies, all the while engaging with larger issues and challenges. Its manifold nature is made explicit by the title itself, intended both as an allusion to the action of leaving and to that of deviating from a regular path. Highly readable and sharp-edged, tailor-made for an audience that includes (and transcends) colleges and universities, this text will likely find its way into many class syllabi and reading lists. Located at the crossroads of theory and resistance, advocacy and academia, Departures oozes rage, energy, and optimism, and is unapologetically political. The field of Critical Refugee Studies, the authors state in the “Introduction,” is “a way to seize control of image and narrative, by and for refugees, centered in refugee epistemologies and experiences." As a community-engaged critical field, it postulates the necessity of moving past pre-existing humanitarian narratives and frameworks, exposing the underlying threads that tie militarism and migration, power and memory, empire and race. Channeling Somali British and Palestinian poetry, Syrian visual art, and Vietnamese American independent cinematography, the seven contributors call for new methodologies and approaches, as well as for new stories that go beyond the simple “formula of … escape, despair, and rescue” embedded in mainstream refugee narratives. The book's aim is to break that mold, underscoring the “invisible relations of power that broker how we see and consume the refugee subject”; that is to say, to radically twist the ways in which the latter is defined by the law, by the arts, and by the collective conscious. Bold and provocative, Departures will not fail to spark conversations in the coming years.
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来源期刊
Review of International American Studies
Review of International American Studies Arts and Humanities-Literature and Literary Theory
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