在无言和编织漫画中打开过去:当代米兹拉希图形小说家和创伤的历史记忆

IF 0.2 3区 文学 0 LITERATURE
M. Reingold
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引用次数: 0

摘要

摘要:本文分析了卡罗尔·艾萨克斯的《巴格达之狼》和阿萨夫·哈努卡的《哈耶胡迪·哈伊·阿拉维》这两部米兹拉希漫画小说中对家庭和公共记忆的处理方法。两者都利用漫画特有的方式来传达当代米兹拉希姆的挣扎,他们感到负担沉重,被一段作者没有记忆的过去所束缚。艾萨克在20世纪30年代和40年代的犹太人巴格达中使用无言的方式,促进了一种身临其境的感官体验,使她能够从过去中提取意义,并将其定位于米兹拉希人现在的生活。哈努卡使用Thierry Groensteen描述的“编织”概念,指的是作品中视觉和语言叙事的复杂交织,将他自己的生活故事与他父亲、祖父和曾祖父的故事联系起来。这样做可以让他理解他自己的生活方式与他祖先的选择是平行的,同时引导他做出改变,以避免重复他们的错误。考虑到一起,两位艺术家都采用了创造性的方法来引导米兹拉希的过去和现在,并在21世纪建立了一个有凝聚力的米兹拉希身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unpacking the Past in Wordless and Braided Comics: Contemporary Mizrahi Graphic Novelists and Traumatic Historical Memories
Abstract:This article analyzes approaches to familial and communal memory in Carol Isaacs’s The Wolf of Baghdad and Asaf Hanuka’s Hayehudi haʿaravi, two Mizrahi graphic novels published in 2020. Both make use of comics-specific modalities to communicate the struggles of contemporary Mizrahim who feel burdened and bound to a past of which the authors possess no memories. Isaacs’s employment of wordlessness as she navigates 1930s and 1940s Jewish Baghdad facilitates an immersive sensory experience that enables her to extract meaning from the past and locate it in Mizrahi life in the present. Hanuka uses “braiding,” a concept described by Thierry Groensteen to refer to the complex interweaving of visual and linguistic narratives across a work, to link his own life story with the stories of his father, grandfather, and great-grandfather. Doing so allows him to understand the ways in which his own life has paralleled his ancestors’ choices while leading him to make changes in order to avoid repeating their mistakes. Considered together, both artists model creative approaches to navigating the Mizrahi past and present and modelling ways to create a cohesive Mizrahi identity in the twenty-first century.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: For sixteen years, Prooftexts: A Journal of Jewish Literary History has brought to the study of Jewish literature, in its many guises and periods, new methods of study and a new wholeness of approach. A unique exchange has taken place between Israeli and American scholars, as more work from Israelis has appeared in the journal. Prooftexts" thematic issues have made important contributions to the field.
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