{"title":"帕克是黑色的吗?弗兰纳里·奥康纳《帕克的背影》中种族问题的再解读","authors":"Christine L. Grogan","doi":"10.5840/renascence20207212","DOIUrl":null,"url":null,"abstract":"Contributing to the uneasy question of race in Flannery O’Connor's fiction, this article performs a rereading of the last story she penned—“Parker’s Back”—and argues that her final protagonist may have been a product of miscegenation. It discusses the implications this would have on our understanding of this spiritually rich story, and, perhaps even more importantly, of O’Connor’s views on race at the end of her life.","PeriodicalId":41054,"journal":{"name":"RENASCENCE-ESSAYS ON VALUES IN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Parker’s Black? A Rereading of Race in Flannery O’Connor’s \\\"Parker’s Back\\\"\",\"authors\":\"Christine L. Grogan\",\"doi\":\"10.5840/renascence20207212\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Contributing to the uneasy question of race in Flannery O’Connor's fiction, this article performs a rereading of the last story she penned—“Parker’s Back”—and argues that her final protagonist may have been a product of miscegenation. It discusses the implications this would have on our understanding of this spiritually rich story, and, perhaps even more importantly, of O’Connor’s views on race at the end of her life.\",\"PeriodicalId\":41054,\"journal\":{\"name\":\"RENASCENCE-ESSAYS ON VALUES IN LITERATURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RENASCENCE-ESSAYS ON VALUES IN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5840/renascence20207212\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RENASCENCE-ESSAYS ON VALUES IN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5840/renascence20207212","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Parker’s Black? A Rereading of Race in Flannery O’Connor’s "Parker’s Back"
Contributing to the uneasy question of race in Flannery O’Connor's fiction, this article performs a rereading of the last story she penned—“Parker’s Back”—and argues that her final protagonist may have been a product of miscegenation. It discusses the implications this would have on our understanding of this spiritually rich story, and, perhaps even more importantly, of O’Connor’s views on race at the end of her life.
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