{"title":"美国同性恋战争肖像和同性恋武装档案文物","authors":"E. Schares","doi":"10.1080/17513057.2021.1970209","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article engages the photographic collection archived in Evan Bachner’s At Ease: Navy Men of World War II. I argue that this archive embodies myriad homonationalist intimacies through the reinforcement of historical images of White U.S. American queer-coded masculinity. I place its representations against a backdrop of global pornographic militarism, U.S. imperialism, and intimate Black refusal.","PeriodicalId":45717,"journal":{"name":"Journal of International and Intercultural Communication","volume":"37 1","pages":"335 - 350"},"PeriodicalIF":2.2000,"publicationDate":"2021-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"U.S. homonationalist battle portraiture and queer armed archival artifacts\",\"authors\":\"E. Schares\",\"doi\":\"10.1080/17513057.2021.1970209\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article engages the photographic collection archived in Evan Bachner’s At Ease: Navy Men of World War II. I argue that this archive embodies myriad homonationalist intimacies through the reinforcement of historical images of White U.S. American queer-coded masculinity. I place its representations against a backdrop of global pornographic militarism, U.S. imperialism, and intimate Black refusal.\",\"PeriodicalId\":45717,\"journal\":{\"name\":\"Journal of International and Intercultural Communication\",\"volume\":\"37 1\",\"pages\":\"335 - 350\"},\"PeriodicalIF\":2.2000,\"publicationDate\":\"2021-09-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of International and Intercultural Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17513057.2021.1970209\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of International and Intercultural Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17513057.2021.1970209","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
U.S. homonationalist battle portraiture and queer armed archival artifacts
ABSTRACT This article engages the photographic collection archived in Evan Bachner’s At Ease: Navy Men of World War II. I argue that this archive embodies myriad homonationalist intimacies through the reinforcement of historical images of White U.S. American queer-coded masculinity. I place its representations against a backdrop of global pornographic militarism, U.S. imperialism, and intimate Black refusal.