科幻小说剧本和电影中的替身:亚历山大·佩恩的《缩小规模》——以替身和双重性为例

IF 0.1 3区 文学 0 LITERATURE
L. Beadling
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引用次数: 0

摘要

摘要:弗兰克·迪茨(Frank Dietz)指出,许多学者认为心理学是分析文学和电影中doppelgängers和替身的最佳工具,尽管他接着认为,这种批判视角“对于科幻小说领域来说是不够的”,因为这种类型是建立在科学假设的基础上的,科学假设可以创造出“替身的存在是文字事实”的叙事世界(210)。亚历山大·佩恩(Alexander Payne)的剧本和电影《缩小尺寸》(Downsizing, 2017)就是这样做的,它描绘了一项科学突破,可以让人们把自己缩小到原来的1/5。这反过来又创造了一组镜像社会,无论大小。此外,同样是这一突破,使得一个缩小的人类部落在全球环境灾难中生存下来,使地球表面的生命无法生存,尽管这一故事情节在电影的院线发行中没有出现。有两种双重的兴趣:大社会和小社会的双重社会,这在电影和剧本中都有,而且,只有在剧本中,现在的主角和未来的小部落的传奇人物之间的双重:最明显的是保罗·萨弗拉内克和他的替身萨弗拉(马特·达蒙饰)。最后,剧本与电影之间的关系是复杂的,同一叙事的两个版本是双重的,存在着深刻的差异;在这种情况下,《缩小规模》的现有剧本和制作电影之间的差异可能会提示为什么这部电影是佩恩在商业和评论界最不成功的电影。在Downsizing的案例中,在剧本和电影的双重版本之间,对双重主题的处理存在许多差异。这些类型和主题上的差异导致了不同的文本,这可能有助于解释这部电影表现不佳的原因,尤其是与佩恩的其他作品相比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Doubles in a Science Fiction Screenplay and Film: Alexander Payne's Downsizing as a Case Study in Doubling and Duality
Abstract: Frank Dietz notes that many scholars identify psychology as the best tool for analyzing doppelgängers and doubles in literature and film, although he goes on to argue that this critical lens is “insufficient for the field of science fiction” because the genre is founded on a presumption of science which can create narrative worlds in which “the existence of doubles is literal fact” (210). Alexander Payne’s screenplay and film Downsizing (2017) does just this by depicting a scientific breakthrough that allows people to shrink themselves to 1/5 of their original size. This in turn creates a mirrored set of societies, big and little. In addition, it is this same breakthrough that allows a tribe of shrunken humans to survive a global environmental disaster that makes life on the surface of the planet untenable, although this storyline is absent in the theatrical release of the film. There are two doubles of interest: the doubled societies of the big and the little, which is in both film and screenplay, and, in the screenplay only, the doubles between the present day main characters and the legendary figures of the future tribe of smalls:, most notably between Paul Safranek and his double Safrapül the Good (Matt Damon). Finally, the relationship between a screenplay and the produced film is a complex one in which the two versions of the same narrative are doubles with some profound differences; in this case, the differences between the available screenplay of Downsizing and the produced film may give clues to why this film is Payne’s least successful, both commercially and critically. In the case of Downsizing, there are numerous differences in the treatment of the theme of doubling between the doubled versions of the screenplay and the film. These differences both in terms of genre and theme result in much different texts and may help explain the film’s underperformance, especially compared to Payne’s other outings.
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期刊介绍: The Journal of the Midwest Modern Language Association publishes articles on literature, literary theory, pedagogy, and the state of the profession written by M/MLA members. One issue each year is devoted to the informal theme of the recent convention and is guest-edited by the year"s M/MLA president. This issue presents a cluster of essays on a topic of broad interest to scholars of modern literatures and languages. The other issue invites the contributions of members on topics of their choosing and demonstrates the wide range of interests represented in the association. Each issue also includes book reviews written by members on recent scholarship.
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