{"title":"喜剧是一种谨慎的实践","authors":"K. Leng","doi":"10.5325/studamerhumor.8.1.0013","DOIUrl":null,"url":null,"abstract":"\n This article considers comedy as a practice of care. Its analysis focuses on major US late-night talk shows produced during the early months of the coronavirus pandemic. Drawing on interdisciplinary feminist scholarship about care and autobiographical reflection, I argue that comedy plays important roles in cultivating capacities for physical, emotional, and intellectual development; maintaining social ties; supporting well-being; and sustaining reproductive activities. I further suggest that bringing comedy and care together within a common frame can expand our understanding of the relationship between performer and audience as well as our definition of what constitutes care.","PeriodicalId":53944,"journal":{"name":"Studies in American Humor","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Comedy as a Practice of Care\",\"authors\":\"K. Leng\",\"doi\":\"10.5325/studamerhumor.8.1.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article considers comedy as a practice of care. Its analysis focuses on major US late-night talk shows produced during the early months of the coronavirus pandemic. Drawing on interdisciplinary feminist scholarship about care and autobiographical reflection, I argue that comedy plays important roles in cultivating capacities for physical, emotional, and intellectual development; maintaining social ties; supporting well-being; and sustaining reproductive activities. I further suggest that bringing comedy and care together within a common frame can expand our understanding of the relationship between performer and audience as well as our definition of what constitutes care.\",\"PeriodicalId\":53944,\"journal\":{\"name\":\"Studies in American Humor\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in American Humor\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/studamerhumor.8.1.0013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in American Humor","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/studamerhumor.8.1.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
This article considers comedy as a practice of care. Its analysis focuses on major US late-night talk shows produced during the early months of the coronavirus pandemic. Drawing on interdisciplinary feminist scholarship about care and autobiographical reflection, I argue that comedy plays important roles in cultivating capacities for physical, emotional, and intellectual development; maintaining social ties; supporting well-being; and sustaining reproductive activities. I further suggest that bringing comedy and care together within a common frame can expand our understanding of the relationship between performer and audience as well as our definition of what constitutes care.
期刊介绍:
Welcome to the home of Studies in American Humor, the journal of the American Humor Studies Association. Founded by the American Humor Studies Association in 1974 and published continuously since 1982, StAH specializes in humanistic research on humor in America (loosely defined) because the universal human capacity for humor is always expressed within the specific contexts of time, place, and audience that research methods in the humanities strive to address. Such methods now extend well beyond the literary and film analyses that once formed the core of American humor scholarship to a wide range of critical, biographical, historical, theoretical, archival, ethnographic, and digital studies of humor in performance and public life as well as in print and other media. StAH’s expanded editorial board of specialists marks that growth. On behalf of the editorial board, I invite scholars across the humanities to submit their best work on topics in American humor and join us in advancing knowledge in the field.