这是哪个唐纳德?这是哪个类型?对游牧卡通人物的符号学研究

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
S. Packard
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引用次数: 1

摘要

处理去语境化或再语境化的漫画给媒体用户带来了许多挑战和机遇。本文提出的方法不仅将这些影响视为普遍化融合媒体、故事世界和跨虚构或跨叙事角色模型的结果,而且通过颠倒问题并询问媒体用户在与卡通互动时被邀请完成哪些符号学技能,并逐渐围绕这种遭遇构建结果,从而补充了上述观点。从应用于特定实例的一般属性的演绎,我转向通过离开所述实例进行概括的诱拐。我建议区分这一现象的三个不同方面,以及人们可能会对特定卡通人物的描述提出的三个不同问题。通过绝对演绎,人们可能首先会问:“这个卡通人物是谁?”在一种从查尔斯·桑德斯·皮尔斯(Charles Sanders Peirce)的符号学中得到启示的实用主义逆转中,人们可能会问,“我该怎么处理这幅漫画?”最后,从一种观点出发,通过把不确定性放在前台,来构思挑战的跨媒介方面,这些不确定性首先建立了非情境化的相遇,人们可能会采用雅克·拉康的精神分析中的一个概念,并问,“这是哪个tyche ?”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Which Donald is this? Which tyche is this? A semiotic approach to nomadic cartoonish characters
Abstract Dealing with a de- or recontextualized cartoon affords media users a number of challenges and opportunities. The approach proposed here traces these effects not merely as consequences of universalized converging media, storyworlds, and transfictional or transdiegetic character models, but complements that view by reversing the question and asking which semiotic feats media users are invited to accomplish as they engage with a cartoon and gradually build consequences around that encounter. From a deduction of general properties applied to a specific instance, I move to abductions that generalize by departing from said instance. I propose distinguishing three different aspects of the phenomenon alongside three different questions that one might ask of a given cartoonish depiction of some character. By categorical deduction, one might first ask, “Who is this cartoon?” In a pragmaticist reversal that takes its cue from the semiotics of Charles Sanders Peirce, one might then ask, “What shall I do with this cartoon?” And finally, from a point of view that conceives of the transmedial aspects of the challenge by foregrounding the uncertainties that establish the decontextualized encounter in the first place, one might adapt a concept from Jacques Lacan’s psychoanalysis and ask, “Which tyche is this?”
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