情感音乐韵律增强信任:机械臂通信音频设计

Richard J. Savery, Lisa Zahray, Gil Weinberg
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引用次数: 5

摘要

随着机械臂在工业中的普及,提高人类合作者的信任水平至关重要。人机交互中的低信任水平会降低整体性能并阻碍机器人的充分利用。我们研究了使用情感音乐韵律(EMP)让机器人对用户的动作做出情感反应的潜在好处。我们将EMP定义为受用于表达情感的基于语音的韵律启发的音乐短语。我们测试了参与者与虚拟机械臂和虚拟人形机器人互动的反应,后者作为决策代理,帮助参与者在序列中选择下一个数字。在组间实验中,我们比较了三个版本的应用程序的结果,根据用户是否同意机器人以及用户的选择是否正确,机器人对用户的输入表现出不同的情绪反应。一个版本使用了从我们的歌手即兴创作数据集中选择的EMP音频短语,第二个版本使用了由随机分配给每种情绪的单一音调组成的音频,最后一个版本没有使用音频,只有手势。在每个版本中,机器人都用情感手势做出反应。参与者在互动后完成了一项信任调查,我们发现EMP组对机械臂的信任度明显高于单音调组和无音频组。我们发现,当我们的音频系统用于人形机器人时,在任何指标上都没有显著差异,这意味着音频需要为每个平台单独设计。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emotional musical prosody for the enhancement of trust: Audio design for robotic arm communication
Abstract As robotic arms become prevalent in industry, it is crucial to improve levels of trust from human collaborators. Low levels of trust in human–robot interaction can reduce overall performance and prevent full robot utilization. We investigated the potential benefits of using emotional musical prosody (EMP) to allow the robot to respond emotionally to the user’s actions. We define EMP as musical phrases inspired by speech-based prosody used to display emotion. We tested participants’ responses to interacting with a virtual robot arm and a virtual humanoid that acted as a decision agent, helping participants select the next number in a sequence. We compared results from three versions of the application in a between-group experiment, where the robot presented different emotional reactions to the user’s input depending on whether the user agreed with the robot and whether the user’s choice was correct. One version used EMP audio phrases selected from our dataset of singer improvisations, the second version used audio consisting of a single pitch randomly assigned to each emotion, and the final version used no audio, only gestures. In each version, the robot reacted with emotional gestures. Participants completed a trust survey following the interaction, and we found that the reported trust ratings of the EMP group were significantly higher than both the single-pitch and no audio groups for the robotic arm. We found that our audio system made no significant difference in any metric when used on a humanoid robot implying audio needs to be separately designed for each platform.
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