《花园》的幻觉。从当代思想家和观念的角度对画家希罗尼穆斯·博斯的作品和思想进行反思

Q3 Arts and Humanities
Anastasis Pub Date : 2021-05-29 DOI:10.35218/armca.2021.1.11
Tudor Jucan
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引用次数: 0

摘要

我们介绍了这篇文章的主题,对H Bosch所选作品的描述,这幅三联画的标题是:“尘世的快乐花园”,还有对作品本身的详细描述,以及这位荷兰画家所玩的概念和想法。我们对通常给予中央小组的解释的模糊性进行了监督,但与其他两个小组的叙述进行了对话,从而呈现了作者的概念意图(在某些人看来,作品本身是启蒙运动(人文主义)运动的起义和文艺复兴时代的开始的见证,席卷了欧洲和世界……尽管他的形象和思想仍然在我们的今天回响,因此,我们将采用选定的自由思想家的观点,以一种奇怪的方式,以相同的概念吸引今天的观众,但不知怎的,在一种不同的范式中:天堂,天堂,天堂狂喜,恐惧,接受等只是第四种提到的主题中的一些。这些观点将被并排放置,以揭示博世的象征主义在当今概念中的异同。天堂概念背后的幻觉……或者更确切地说,是关于应许的乐园;但也有必要有一个一厢情愿的理想来实现……目的的概念,正念改变了天堂的角色,以及如何获得它,一个更快乐的生活的终身目标和一个平静的内心自我。总之,我们可以观察到,作品本身的幻想方面,以及观众如何接受对旧主题的新视角。通过创造这个概念桥梁,我们都更接近于理解我们与我们的祖先是如何更相似的,以及即使从一幅500年前的画中,我们仍然可以学到关于现在的一两件事
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The illusion of “The Garden”. A reflection on the works and ideas of the painter Hieronymus Bosch, through the perspective of present day thinkers and concepts
We are Introduced of the subject matter of the article, the description of the chosen work by H Bosch, the triptych entitled: “The Garden of Earthly Delights” there is also a detailedphysical description of the work itself and of the concepts and ideas the Dutch painter plays with. We oversee the ambiguity of the interpretation normally given to the central panel mostly but create a dialogue with the narratives of the other two, thus the conceptual intention of the author is presented (the work itself by being in some’s opinion a testimony to the uprising of the enlightenment (humanist) movements and the beginning of the Renaissance Era that took Europe and the World by storm... Although his images and ideas still echo in our present, by this reason we will employ the opinions of selected freethinkers that, in e strange way, engage the todays audience with the same concepts but somehow in a different paradigm: Paradise, Heaven, Heavenly Ecstasy, fear, acceptance etc. are just some of the forth mentioned subjects.The opinions will be set side by side to reveal the similarities or differences of Bosch’s symbolism within present day concepts. The Illusion behind the concept of Heaven... or better said of the promised Garden; But also the necessity of heaving a wishful ideal to live up to... the concept of purposefulness, mindfulness switches the role of Paradise, and how to obtain it with, the lifetime goal for a happier life and a place within a peaceful inner self. In conclusion we can observe, the visionary aspect of the work itself and how the viewer can receivea new perspective on old subjects. By creating this conceptual bridge, we are all the closer to understanding how we are more similar with our forefathers, and how even from a 500-year-old painting we can still learn a thing or two about the present
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来源期刊
Anastasis
Anastasis Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
15 weeks
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