“我又一次从专业人士变成了‘卧室DJ’:新冠肺炎和年轻音乐制作人的新形式的不平等。

F. Howard, A. Bennett, B. Green, P. Guerra, S. Sousa, E. Sofija
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引用次数: 9

摘要

鉴于2019冠状病毒病大流行的前所未有的环境和日益不确定的社会经济条件,文化习俗仍然是年轻人发挥最大能动性和行使自由感的稳定画布。本文报道了一项国际研究合作,从澳大利亚、英国和葡萄牙这三个国家的77名年轻音乐家的声音中,我们采访了他们在封锁期间的音乐创作实践。尽管有报道说他们失去了工作和收入,而且社交距离限制了他们制作音乐的能力,但大多数年轻的音乐制作人都对拥有更多时间的价值持积极态度,他们既是音乐的制作人,也是音乐的消费者。然而,与此同时,我们的数据也突出了年轻音乐制作人之间日益增长的不平等形式。本文认为,尽管在发展音乐实践方面取得了短期收益,但COVID-19对音乐产业的长期影响将在未来几年影响该行业。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘It’s Turned Me from a Professional to a “Bedroom DJ” Once Again’: COVID-19 and New Forms of Inequality for Young Music-Makers
Given the unprecedented circumstances of the COVID-19 pandemic and increasingly uncertain socio-economic conditions, cultural practice remains a stable canvas upon which young people draw the most agency and exercise a sense of freedom. This article reports on an international research collaboration, drawing on the voices of 77 young musicians from three countries—Australia, England and Portugal—who were interviewed about their music-making practices during lockdown. Despite reporting loss of jobs and income and the social distancing restrictions placed upon the ability to make music, most young music-makers were positive about the value of having more time, to be both producers and consumers of music. At the same time, however, our data also highlight increasing forms of inequality among young music-makers. This article argues that despite short-term gains in relation to developing musical practice, the longer-term impacts of COVID-19 on the music industry will affect the sector for years to come.
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