内森·卡茨剧院

E. Cerf
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引用次数: 0

摘要

内森·卡茨(1892- 1981)是两部戏剧作品的作者:一部是名为D'Ardwibele的精彩故事(1924),另一部是戏剧《Annele Balthasar》(1930)。它们都是以阿尔萨斯南部一个与世隔绝的地区松高(Sundgau)的成语为背景的,都发生在一个宗教共识盛行的村庄里。在这个理想形象的背景中,出现了一个噩梦般的景象。松高因处决女巫而臭名昭著。村子里的社区折磨着一个价值观与大多数人不同的成员,以至于他失去了理智和生命。村民们随后承认了受害者的清白,并恢复了和谐,直到下一次仇恨爆发。内森·卡茨的两部作品中都有一位仁慈、非暴力的英雄,他承载着救世主般的希望,这种希望在他受限的祖国的花园中回响。Nathan Katz所唤起的主题,如对无辜受害者的迫害,燃烧肉体的恶臭,幸存者无休止的哀悼,被本文的a重新诠释为纳粹所施加的迫害
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Le théâtre de Nathan Katz
Nathan Katz (1892- 1981) was the author of two works for the theatre : a marvellous tale entitled D'Ardwibele (1924), and a drama, Annele Balthasar (1930). They are both in the idiom of the Sundgau, an isolated area in southern Alsace, and set in a village where religious consensus reigns. In the background of this ideal image there appears a nightmare vision. The Sundgau was infamous for the execution of witches. The village community torments one of its members, whose values differ from those of the majority, to a point where he loses both reason and life. The village then admits the victim's innocence, and harmony restored until the next explosion of hatred. Both of Nathan Katz's works include a charitable, non-violent hero, the bearer of a messianic hope which can be heard in the echo that resounds at night in the gardens of his restricted fatherland. The themes evoked by Nathan Katz, such as the persecution of innocent victims, the foul smell of burning flesh, the survivors' endless mourning, are reinterpreted by the A. of this article in terms of the persecutions inflicted by the Nazis
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