{"title":"有色人种女孩回忆录博物馆:让各地的黑人女孩记住,我们的爱已经足够了","authors":"L. Cahill","doi":"10.1353/wsq.2022.0019","DOIUrl":null,"url":null,"abstract":"Abstract:This article is a nonconventional archival repository for the Colored Girls Museum in Germantown, Philadelphia, wherein I posit that the museum space is a radical love site through its curation of social relationships, spatial capacities, and navigation of time. Through the transformation of oral history with the museum's founder, Vashti DuBois, I fashioned an avant-garde memoir about how DuBois's own life story is a curation toward radical love that is held by a space. Specifically, I argue that radical love cultivated through the museum space provides a nexus for affective potential, interaction, and interdependence. The creative methodological approach has allowed me to provide a mirror, dynamic archive, and letter for Blackgirls to bear witness to themselves being centered and loved through narrative.","PeriodicalId":23857,"journal":{"name":"Wsq: Women's Studies Quarterly","volume":"os-9 1","pages":"229 - 245"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Memoirs of the Colored Girls Museum: For Blackgirls Everywhere to Remember That Our Love Is Enuf\",\"authors\":\"L. Cahill\",\"doi\":\"10.1353/wsq.2022.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article is a nonconventional archival repository for the Colored Girls Museum in Germantown, Philadelphia, wherein I posit that the museum space is a radical love site through its curation of social relationships, spatial capacities, and navigation of time. Through the transformation of oral history with the museum's founder, Vashti DuBois, I fashioned an avant-garde memoir about how DuBois's own life story is a curation toward radical love that is held by a space. Specifically, I argue that radical love cultivated through the museum space provides a nexus for affective potential, interaction, and interdependence. The creative methodological approach has allowed me to provide a mirror, dynamic archive, and letter for Blackgirls to bear witness to themselves being centered and loved through narrative.\",\"PeriodicalId\":23857,\"journal\":{\"name\":\"Wsq: Women's Studies Quarterly\",\"volume\":\"os-9 1\",\"pages\":\"229 - 245\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Wsq: Women's Studies Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/wsq.2022.0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wsq: Women's Studies Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wsq.2022.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Memoirs of the Colored Girls Museum: For Blackgirls Everywhere to Remember That Our Love Is Enuf
Abstract:This article is a nonconventional archival repository for the Colored Girls Museum in Germantown, Philadelphia, wherein I posit that the museum space is a radical love site through its curation of social relationships, spatial capacities, and navigation of time. Through the transformation of oral history with the museum's founder, Vashti DuBois, I fashioned an avant-garde memoir about how DuBois's own life story is a curation toward radical love that is held by a space. Specifically, I argue that radical love cultivated through the museum space provides a nexus for affective potential, interaction, and interdependence. The creative methodological approach has allowed me to provide a mirror, dynamic archive, and letter for Blackgirls to bear witness to themselves being centered and loved through narrative.