一匹马和一座城市

Q3 Arts and Humanities
Queeste Pub Date : 2020-01-01 DOI:10.5117/que2020.2.001.uytt
Veerle Uyttersprot
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引用次数: 0

摘要

这篇文章是关于登德蒙对中世纪传说中骏马贝亚德和多尔多恩领主艾蒙的四个儿子(“希姆斯的孩子”)的挪用。贝亚德和艾蒙的儿子们的故事在中世纪的低地国家很流行。在许多城镇,一个巨大的木马Bayard是游行和游行的一部分。在某些情况下,传统一直延续到今天。在登德蒙德尤其如此,那里有一个当地版本的故事。这座城市的19世纪档案保管员普鲁登斯·范·杜斯(Prudens Van Duyse)可能要为这一非凡的传统负责。他对Dordoen的Aymon的Dendermond根源的假设以及由此产生的当地叙事传统是基于对中世纪荷兰散文故事中地名的自由解释以及对一些17世纪历史学家作品的同样自由的阅读。虽然在范杜伊斯去世后,历史学家对他的理论的可信度存在一些争论,但讲故事的人接受了他发明的地区变体。直到今天,范·杜斯仍然影响着登德蒙德的民间传说。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Een paard en een stad
This article concerns the Dendermond appropriation of the medieval legend of the steed Bayard and the four sons (the ‘Heems children’) of Aymon, lord of Dordoen. The story of Bayard and Aymon’s sons was popular in the Low Countries during the Middle Ages. In many towns and cities, a giant wooden Horse Bayard was part of processions and parades. In some cases, the tradition persists to this day. This is especially the case in Dendermonde, where a local version of the story exists. The nineteenth-century archivist of the city, Prudens Van Duyse, is probably responsible for this remarkable tradition. His assumptions about the Dendermond roots of Aymon of Dordoen and the resulting local narrative tradition are based on a very free interpretation of the toponyms in the Middle Dutch prose story and on an equally free reading of the writings of a number of seventeenth-century historians. While, after Van Duyse’s passing, there was some debate among historians concerning the credibility of his theories, storytellers embraced the regional variant that he invented. To this day, Van Duyse continues to influence Dendermond folklore.
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来源期刊
Queeste
Queeste Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
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0.00%
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5
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