作为过去的人(先锋派死亡后的现实文学与遗忘技巧)

IF 0.1 0 PHILOSOPHY
M. Kalinova
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引用次数: 0

摘要

本文考察了VBV关于时间的三部曲,其中包括诗歌版的《时间》。(2000)、“Will:”(2011)和“:was…”(2022),重点是去年年底出版的最后一卷。VBV的诗歌文本是通过他关于“现实文学”和现代文化的媒体市场“正常化”的观点来解读的,这些观点在他的一些理论观察中展开。在诗意和哲学之间的边界,在VBV的两个项目之间的巧合和交流点上,一个新的工具包出现了,用于修改文学和政治的现状。VBV的“:”的元诗歌资源是……,以及他的三部曲作为一个整体,让我们以一种新的、启发式的方式来看待21世纪鼎盛时期表演社会的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Human Being as Past (Realliteratur and Techniques of Forgetting after the Death of Avant-garde)
The review examines the trilogy about time of VBV, which includes the poetic editions „Th:is.” (2000), “Will:” (2011) and “:was...” (2022), with the emphasis being the last volume, which appeared at the end of the past year. VBV's poetic texts are read through his ideas about “realliteratur” and the mediamarket “normalization” of modern culture, unfolded in a number of his theoretical observations. At the border between the poetic and the philosophical, at the point of coincidence and exchange between the two projects of the VBV, a new toolkit appears for revising the status quo, both literary and political. The meta-poetic resource of VBV's “:was...”, as well as his trilogy as a whole, allows to see in a new and heuristic way the problems of performative societies at the height of the 21st century.
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来源期刊
Filosofiya-Philosophy
Filosofiya-Philosophy PHILOSOPHY-
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