20世纪80年代至90年代初土耳其电影中女性表现的变化

IF 0.2 0 FILM, RADIO, TELEVISION
F. Özen
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引用次数: 0

摘要

本文关注的是20世纪80年代至90年代初土耳其电影的社会和历史背景下女性的表现。在下一节中,我将阐述20世纪80年代至90年代初的政治事件及其对土耳其社会和电影的影响。我深入研究了20世纪80年代电影中女性的现代主义表现,以分析女性的性别代码(基于社会/文化和电影代码)。最后,在最后一节中,我研究了Atıf Yılmaz电影中女性的电影形象,并从性别编码的角度分析了他的两部电影《一小口爱》(1984)和《夜,天使和我们的帮派》(1994)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s
This article focuses on the representations of women alongside the social and historical background of Turkish cinema from the 1980s through the early 1990s. In the following section, I articulate the political events in the 1980s - the early1990s and its impacts on Turkish society and cinema. I delve into the modernist representations of women in the 1980s cinema to analyze women’s gender codes (based on social/cultural and cinematic codes). Finally, in the last section, I examine Atıf Yılmaz’s cinematic images of women in his films and analyze two of his films A Sip of Love (1984) and The Night, Angel and Our Gang (1994) in terms of gender codes.
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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