调性和谐与动态乐谱网络拓扑

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
M. Buongiorno Nardelli
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引用次数: 2

摘要

我介绍了动态乐谱网络的概念,用于表示和分析调性作曲:乐谱被解释为一个动态网络,其中每个和弦都是一个节点,每个进展连接连续的和弦。该网络可以看作是一个非平稳信号的时间序列,因此,它可以通过时间序列分析和变化点检测进行分割,从而自动识别音调区域,而不依赖于与预先确定的参考集或广泛的语料库的比较。我证明了音调和谐的基本特征,中心性,参考性,指向性和层次性,从网络拓扑结构及其无标度特性中自然产生。最后,通过路径优化算法在这些图上求解最小长度路径,提供了谐波序列的抽象,可以推广到音调组合设计生成模型的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tonal harmony and the topology of dynamical score networks
I introduce the concept of dynamical score networks for the representation and analysis of tonal compositions: a score is interpreted as a dynamical network where every chord is a node and each progression links successive chords. This network can be viewed as a time series of a non-stationary signal, and as such, it can be partitioned for the automatic identification of tonal regions using time series analysis and change point detection without relying on comparisons with pre-determined reference sets or extensive corpora. I demonstrate that the essential features of tonal harmony, centricity, referentiality, directedness and hierarchy, emerge naturally from the network topology and its scale-free properties. Finally, solving for the minimal length path through a route optimization algorithm on these graphs provides an abstraction of harmonic sequences that can be generalized for the conception of generative models of tonal compositional design.
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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