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引用次数: 0
摘要
古法国文学中隐藏的知识主要涉及女性的身体、行为和欲望,她们被描绘成小心翼翼地保守自己的秘密,而男性则试图发现这些秘密。在12世纪的莱·德·格莱朗(Lai de Graelent)和从12世纪到14世纪的各种古法国寓言中,女性被标记为怪物的特征,表明隐藏知识的身体部位。因此,身体本身就成为了秘密,代表了物质上的差异,这种差异被认为会产生认识论上的差异,当人们通过违反身体来寻求知识时,这两个领域就被混为一谈了。这篇文章将剧本和寓言联系起来,这两者很少被放在一起研究,并认为这些故事中的女性可以利用对怪物的感知来缩短传统中固有的暴力,这些传统将她们视为知识的最终对象。
Fabricating Monstrosity: Secrets and Violence in the Lay of Graelent and Several Old French Fabliaux
abstract:Hidden knowledge in the Old French lays and fabliaux predominantly concerns the bodies, behaviors, and desires of women, who are portrayed as jealously guarding their secrets while men seek to discover them. In the twelfth-century Lai de Graelent and various Old French fabliaux from the twelfth through fourteenth centuries, women are marked with the trait of monstrosity, indicating the bodily site of hidden knowledge. The body itself thus becomes the secret, representing the material difference that supposedly produces epistemological difference, and these two registers are conflated as knowledge is sought by violating the body. This article connects the lays and fabliaux, which are rarely studied together, and argues that women in these tales can exploit perceptions of monstrosity to short-circuit the violence inherent to conventions that pose them as the ultimate object of knowledge.
期刊介绍:
Preternature provides an interdisciplinary, inclusive forum for the study of topics that stand in the liminal space between the known world and the inexplicable. The journal embraces a broad and dynamic definition of the preternatural that encompasses the weird and uncanny—magic, witchcraft, spiritualism, occultism, esotericism, demonology, monstrophy, and more, recognizing that the areas of magic, religion, and science are fluid and that their intersections should continue to be explored, contextualized, and challenged.