{"title":"Ivan Mozzhukhin的表演风格","authors":"Johannes Riis","doi":"10.3167/PROJ.2018.120215","DOIUrl":null,"url":null,"abstract":"While the Russian film actor Ivan Mozzhukhin has been recognized\nby film scholars such as Jean Mitry as one of the important actors of the silent\nscreen the nature of his contributions has gone unexplained and, ironically,\nMozzhukhin is perhaps best remembered for a lost experiment, presumably\ncarried out by Lev Kuleshov around 1920, that showed how the editor can\nconstruct character emotions with shots of contextual objects. The historical\nrecord and scientific attempts to replicate the experiment indicate that we\nneed to pay attention to Mozzhukhin’s role as performer and my study of his\nperformances suggests that we may have to rethink long-held assumptions\nabout the relationship between performer expressiveness and editing.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"103 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ivan Mozzhukhin’s Acting Style\",\"authors\":\"Johannes Riis\",\"doi\":\"10.3167/PROJ.2018.120215\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"While the Russian film actor Ivan Mozzhukhin has been recognized\\nby film scholars such as Jean Mitry as one of the important actors of the silent\\nscreen the nature of his contributions has gone unexplained and, ironically,\\nMozzhukhin is perhaps best remembered for a lost experiment, presumably\\ncarried out by Lev Kuleshov around 1920, that showed how the editor can\\nconstruct character emotions with shots of contextual objects. The historical\\nrecord and scientific attempts to replicate the experiment indicate that we\\nneed to pay attention to Mozzhukhin’s role as performer and my study of his\\nperformances suggests that we may have to rethink long-held assumptions\\nabout the relationship between performer expressiveness and editing.\",\"PeriodicalId\":93495,\"journal\":{\"name\":\"Projections (New York, N.Y.)\",\"volume\":\"103 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Projections (New York, N.Y.)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/PROJ.2018.120215\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Projections (New York, N.Y.)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/PROJ.2018.120215","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
While the Russian film actor Ivan Mozzhukhin has been recognized
by film scholars such as Jean Mitry as one of the important actors of the silent
screen the nature of his contributions has gone unexplained and, ironically,
Mozzhukhin is perhaps best remembered for a lost experiment, presumably
carried out by Lev Kuleshov around 1920, that showed how the editor can
construct character emotions with shots of contextual objects. The historical
record and scientific attempts to replicate the experiment indicate that we
need to pay attention to Mozzhukhin’s role as performer and my study of his
performances suggests that we may have to rethink long-held assumptions
about the relationship between performer expressiveness and editing.