IF 0.2 Q4 COMMUNICATION
Plaridel Pub Date : 2022-01-01 DOI:10.52518/2022-07alcdem
G. Alcantara, Feorillo A. Demeterio III
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引用次数: 0

摘要

YouTube被视为一种参与式文化。事实证明,它不仅为媒体领域的专业人士提供了一个平台,也为视频制作的业余爱好者提供了一个平台。随着社交媒体领域的不断扩大,自我性化的使用也在不断扩大,现在被称为“口渴陷阱”。“口渴陷阱”是广泛实践的自拍文化的一个例子,或者说是上传照片以吸引人们对自己性感身体的注意的能力。本研究是对YouTube中口渴陷阱概念特征的初步调查。利用YouTube上的“渴陷阱”概念,本研究旨在开启一种关于自我性化的新论述。本研究结果可为新媒体与自我性化的探讨提供参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pinoy thirst trappers: Panimulang pagsipat at paglalarawan ng thirst trapping ng mga piling Filipinong YouTuber
Abstract YouTube is seen as a form of participatory culture. It has proven effective in providing a platform for people who are not only professionals in the field of media but also amateurs in video production. While the field of social media is constantly expanding, so is the usage of self-sexualization, which is now referred to as the thirst trap. Thirst trap is an example of a widely practiced selfie culture, or the capacity to upload images in order to attract people’s attention to their sexy bodies. This research is a preliminary investigation into the characterization of the thirst trap concept in YouTube. Using the concept of thirst trap in YouTube, this study aims to start a new discourse about self-sexualization. This study’s findings can be used to further the discourse on new media and self-sexualization.
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来源期刊
Plaridel
Plaridel COMMUNICATION-
CiteScore
0.40
自引率
66.70%
发文量
17
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