肖像学:作为身份的艺术表达的巽他书法

Q1 Arts and Humanities
A Z M Raden, Rustopo Rustopo, Timbul Haryono, Dendi Pratama
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引用次数: 0

摘要

巽他文是印尼的传统文字之一。巽他文字的存在至今仍被文化活动家和巽他文字扫盲团体所保存,其中之一就是通过用巽他文字书写的书法。本文将分析Edi Dolan在其社交媒体上发布的巽他文书法。将讨论的巽他书法是木偶,动物和人的形式。巽他书法将通过图像的方法进行审查。图像学在分析对象时有三个层次,即(1)前图像学,即描述对象的形式方面;(2)图像学,这是解释图像,故事和隐喻;(3)通过揭示对象的复杂性进行内容分析。研究结果详细阐述了巽他语书法器物的形式方面,从而产生了基于图像、故事和其他多维对象意义的多维解释,从而显示了所有这些方面在表达巽他语身份方面的完全相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Iconography: Sundanese Calligraphy as Artistic Expressions of Identity
The Sundanese script is one of Indonesia’s traditional scripts. The existence of Sundanese script is still being preserved by cultural activists and the Sundanese script literacy community, one of which is through calligraphy in Sundanese script. This article will analyze the calligraphy of Sundanese script by Edi Dolan posted on his social media. The Sundanese calligraphy that will be discussed is in the form of puppets, animals, and humans. The Sundanese calligraphy will be reviewed through an iconographic approach. Iconography has three levels in analyzing objects, namely (1) Pre-iconography, which is to describe the formal aspects of the object; (2) Iconography, which is to interpret images, stories, and metaphors; (3) Content analysis through revealing the intricacies of the object. The results of the research elaborate on the formal aspects found in Sundanese calligraphy objects, resulting in multidimensional interpretations built on images, stories, and other multidimensional object meanings, thus showing a complete correlation of all these aspects in expressing Sundanese identity.
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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