超文本的新情节?:超文本节点的诗学研究

Mariusz Pisarski
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引用次数: 8

摘要

虽然超文本链接对于讲述故事的新方式的重要性已经被广泛讨论,但对于正在被连接的元素:超文本节点,却没有多少争论。除了少数例外,链接的诗学遮蔽了节点的诗学。我的目标是通过引入上下文规则作为塑造超文本叙事单元的主要力量的概念,重新关注单个节点或词汇。因为许多词汇必须能够出现在不同的语境和故事展开的不同阶段,所以必须在语言、风格、情节和话语的层面上做出一些妥协。每个节点根据其位置和重要性的不同,具有不同程度的连通性和自主性,从而影响文本的整体连贯性。在关注词汇概念(作为一个连贯和灵活的单位)与叙事理论中的核心概念之间的关系之后,本文提出了对语境调节背后规则的解释,以及节点的基本类型。然后尝试增强现有的超文本小说的情节池。介绍了以节点为中心的方法对新地块提出的几点建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
New plots for hypertext?: towards poetics of a hypertext node
While the significance of hypertext links for the new ways of telling stories has been widely discussed, there has been not many debates about the very elements that are being connected: hypertext nodes. Apart from few exceptions, poetics of the link overshadows poetics of the node. My goal is to re-focus on a single node, or lexia, by introducing the concept of contextual regulation as the major force that shapes hypertext narrative units. Because many lexias must be capable of occurring in different contexts and at different stages of the unfolding story, several compromises have to be made on the level of language, style, plot and discourse. Each node, depending on its position and importance, has a varying level of connectivity and autonomy, which affects the global coherence of text. After focusing on relations between the notion of lexia (as a coherent and flexible unit) and the notion of kernel in narrative theory, an explanation of rules behind contextual regulation is presented, along with the basic typology of nodes. Then an attempt to enhance existing plot pools for hypertext fiction is undertaken. Several suggestions for the new plots, offered by the node-centered approach, are introduced.
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